“That’s a very superior man; we shall always understand each other. Faith! it might be hard to do better for Celeste. They will live with us, as in our own family, and that’s a good deal! Yes, he’s a fine fellow, a sound man.” To minds of Thuillier’s calibre, a secondary consideration often assumes the importance of a principal reason. Theodose had behaved to him with charming bonhomie. CHAPTER VII. THE WORTHY PHELLIONS The house to which Theodose de la Peyrade now bent his steps had been the “hoc erat in votis” of Monsieur Phellion for twenty years; it was the house of the Phellions, just as much as Cerizet’s frogged coat was the necessary complement of his personality. This dwelling was stuck against the side of a large house, but only to the depth of one room (about twenty feet or so), and terminated at each end in a sort of pavilion with one window. Its chief charm was a garden, one hundred and eighty feet square, longer than the facade of the house by the width of a courtyard which opened on the street, and a little clump of lindens. Beyond the second pavilion, the courtyard had, between itself and the street, an iron railing, in the centre of which was a little gate opening in the middle. This building, of rouge stone covered with stucco, and two storeys in height, had received a coat of yellow-wash; the blinds were painted green, and so were the shutters on the lower storey. The kitchen occupied the ground-floor of the pavilion on the courtyard, and the cook, a stout, strong girl, protected by two enormous dogs, performed the functions of portress. The facade, composed of five windows, and the two pavilions, which projected nine feet, were in the style Phellion. Above the door the master of the house had inserted a tablet of white marble, on which, in letters of gold, were read the words, “Aurea mediocritas.” Above the sun-dial, affixed to one panel of the facade, he had also caused to be inscribed this sapient maxim: “Umbra mea vita, sic!” The former window-sills had recently been superceded by sills of red Languedoc marble, found in a marble shop. At the bottom of the garden could be seen a colored statue, intended to lead casual observers to imagine that a nurse was carrying a child. The ground-floor of the house contained only the salon and the dining-room, separated from each other by the well of the staircase and the landing, which formed a sort of antechamber. At the end of the salon, in the other pavilion, was a little study occupied by Phellion.