The Letter-Bag of Lady Elizabeth Spencer-Stanhope — Volume 1
History
The Letter-Bag of Lady Elizabeth Spencer-Stanhope — Volume 1
Great Britain -- Social life and customs -- 19th century; Spencer-Stanhope, Elizabeth Wilhelmina Coke, Lady, 1795-1873
stillness--so striking, so solemn--is as suddenly broken by the
recommencement of all the former pandemonium and a deafening noise of
eager tongues.
"Yet in Spain a religion of forms and ceremonies seems to have been
substituted for a religion of Christian purity and morality. Although the
large majority of the population are devoted to their Church, they yet
imagine that if they strictly observe her ceremonies, fast rigidly, and go
regularly to confession, they have done all that is requisite. The
consequence of this state of things is the prevalence of the greatest
profligacy, which is fostered by the innumerable herd of monks who infest
the country. Common prostitutes sell indulgences which exempt from fasting
in Lent; and by what means they have obtained possession of these it is
not difficult to conjecture."
Another great drawback which John Stanhope found to life at Cadiz at that
date was the prevalence of a condition of society which entailed that each
Spanish lady should have her cortejo, or devoted attendant. "Behind each
lady who smiles at you," he explains, "there stands--not a duenna, such a
one as is represented on our stage--but a grim, black, ugly grandee, ready
to avenge with the stiletto every glance you may chance to give to the
lady of his love."
Nevertheless, Stanhope was enveigled into a silent flirtation which he
describes thus amusingly:
"Immediately opposite to my habitation are two houses belonging to two
merchants, who are either brothers or brothers-in-law. The one has an only
daughter, who cannot boast of much beauty, the other has two daughters,
the one a very pretty girl of a style rather unusual in Spain, for she has
auburn hair, while her sister is a thorough Spaniard, a lively little
thing with Andalusian eyes.
Public-domain text, read in full here on John Shaqi.
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