I have the Yosemite book, and Miss Christiansen has the Mandarin coat.
I thank you very much. The pictures are beautiful, but of them all I
prefer that of Nanny bending over the stove. True, the face is not
visible, but it looks like you all over.
I'm filling out the book with views of the Grand Canyon, so as to have
my scenic treasures all together. Also I'm trying to get for you a
certain book of Canyon pictures, which I neglected to obtain when
there. You will like it--if I get it.
Sometime when you have nothing better to do--don't be in a hurry about
it--will you go out to Mountain View cemetery with your camera and
take a picture of the grave of Elizabeth (Lily) Walsh, the little deaf
mute that I told you of? I think the man in the office will locate it
for you. It is in the Catholic part of the cemetery--St. Mary's. The
name Lily Walsh is on the beveled top of the headstone which is shaped
like this:
[Illustration: Headstone]
You remember I was going to take you there, but never found the time.
Miss Christiansen says she is writing, or has written you. I think the
coat very pretty.
Affectionately,
AMBROSE.
[Washington, D. C.,
February 15, 1911.]
DEAR GEORGE,
As to the "form of address." A man passing another was halted by the
words: "You dirty dog!" Turning to the speaker, he bowed coldly and
said: "Smith is my name, sir." _My_ name is Bierce, and I find, on
reflection, that I like best those who call me just that. If my
christen name were George I'd want to be called _that_; but "Ambrose"
is fit only for mouths of women--in which it sounds fairly well.
_How_ are you my master? I never read one of your poems without
learning something, though not, alas, how to make one.
Don't worry about "Lilith"; it will work out all right. As to the
characters not seeming alive, I've always fancied the men and women of
antiquity--particularly the kings, and great ones generally--should
not be too flesh-and-bloody, like the "persons whom one meets." A
little coldness and strangeness is very becoming to them. I like them
to _stalk_, like the ghosts that they are--our modern passioning seems
a bit anachronous in them. Maybe I'm wrong, but I'm sure you will
understand and have some sympathy with the error.
Hudson Maxim takes medicine without biting the spoon. He had a dose
from me and swallowed it smiling. I too gave him some citations of
great poetry that is outside the confines of his "definition"--poetry
in which are no tropes at all. He seems to lack the _feel_ of poetry.
He even spoils some of the "great lines" by not including enough of
the context. As to his "improvements," fancy his preference for "the
fiercest spirit of _the warrior host_" to "the fiercest spirit _that
fought in Heaven_"! O my!
Yes, Conrad told me the tale of his rescue by you. He gave me the
impression of hanging in the sky above billows unthinkably huge and
rocks inconceivably hard.
* * * * *
Public-domain text, read in full here on John Shaqi.
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