I'm sorry you find your place in the office intolerable. That is "the
common lot of all" who work for others. I have chafed under the yoke
for many years--a heavier yoke, I think, than yours. It does not fit
my neck anywhere. Some day perhaps you and I will live on adjoining
ranches in the mountains--or in adjoining caves--"the world
forgetting, by the world forgot." I have really been on the point of
hermitizing lately, but I guess I'll have to continue to live like a
reasonable human being a little longer until I can release myself with
a conscience void of offense to my creditors and dependents. But "the
call of the wild" sounds, even in my dreams.
You ask me if you should write in "A Wine of Wizardry" vein, or in
that of "The Testimony of the Suns." Both. I don't know in which you
have succeeded the better. And I don't know anyone who has succeeded
better in either. To succeed in both is a marvelous performance. You
may say that the one is fancy, the other imagination, which is true,
but not the whole truth. The "Wine" has as true imagination as the
other, and fancy into the bargain. I like your grandiose manner, and I
like the other as well. In terms of another art I may say--rear great
towers and domes. Carve, also, friezes. But I'd not bother to cut
single finials and small decorations. However exquisite the
workmanship, they are not worth your present attention. If you were a
painter (as, considering your wonderful sense of color, you doubtless
could have been) your large canvases would be your best.
* * * * *
I don't care if that satire of Josephare refers to me or not; it was
good. He may jump on me if he wants to--I don't mind. All I ask is
that he do it well.
* * * * *
I passed yesterday with Percival Pollard, viewing the burnt district
of Baltimore. He's a queer duck whom I like, and he likes your work.
I'm sending you a copy of "The Papyrus," with his "rehabilitation" of
the odious Oscar Wilde. Wilde's work is all right, but what can one do
with the work of one whose name one cannot speak before women?
* * * * *
Sincerely yours,
AMBROSE BIERCE.
[Washington, D. C.,
April 19, 1904.]
DEAR GEORGE,
The "belatedness" of your letter only made _me_ fear that _I_ had
offended _you_. Odd that we should have such views of each other's
sensitiveness.
About Wood. No doubt that he is doing all that he can, but--well, he
is not a publisher. For example: He sent forty or fifty "Shapes" here.
They lie behind a counter at the bookseller's--not even _on_ the
counter. There are probably not a dozen persons of my acquaintance in
Washington who know that I ever wrote a book. Now _how_ are even these
to know about _that_ book? The bookseller does not advertise the books
he has on sale and the public does not go rummaging behind his
counters. A publisher's methods are a bit different, naturally.
Public-domain text, read in full here on John Shaqi.
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