You have long ere this, I hope, received Herby's letter telling of the
safe arrival of the precious copy of "Specimen Days," with the portraits:
it makes me very proud. Your father had a fine face too--there is
something in it that takes hold of me & that seems to be a kind of natural
background or substratum to the radiant sweetness of that other sacred &
beloved face completing your parentage. I like heartily too the new
portraits of you: they are all wanted as different aspects: but the two
that remain my favourites are the portrait taken about 30 without coat of
any kind, and the one you sent me in '69 next to those I love these two
latest--& in some respects better, because they are the Walt I saw & had
such happy hours with. The second copy of book & my lending one, has come
safe--too--and the card that told of your attack of illness, & the welcome
news of your recovery in the Paper; & I have been fretting with impatience
at my own dumbness--but tied to as many hours a day writing as I could
possibly manage, at my little book now (last night)--finished, all but
proofs, so that I can take my pleasure in "Specimen Days" at last; but
before doing that must have a few words with you, dearest Friend. First a
gossip. Do you remember Maggie Lesley? She came to see us on her way to
Paris, where she is working all alone & very earnestly to get through
training as an artist--then going to start in a studio of her own in
Philadelphia. She, like my mother's sister, are to me fine, lovable
samples of American women--in whom, I mean, I detect, like the distinctive
aroma of a flower, something special--that is American--a decisive new
quality to old-world perceptions. Herby is working away still chiefly at
the Consuelo picture--has got a very beautiful model to-day sitting to
him. His summer work was down in Warwickshire, making sketches--& very
charming ones they are, of George Eliot's native scenes--one of a
garden-nook--up steep, old, worn stone steps bordered with flowers that is
enticing--it will make a lovely background for a figure picture.--Giddy's
voice is growing in richness & strength--& she works with all her heart,
hoping one day to be a real artist vocally--in church & oratorio music.
She will not have power or dramatic ability for opera--nor can I wish that
she had; there are so many thorns with the roses in that path. I fear you
will be a loser by Bogne's bankruptcy. Did I tell you that among our
friends one of your warmest admirers is Henry Holmes, the great violinist
(equal [to] Joachim some think--we among them). Per. & wife & little
grandson all well. My love to brother & sister & to Hattie [&] Jessie.
Good-bye, dear Walt. I hope to write more & better soon.
ANNE GILCHRIST.
Greetings to the Staffords.
LETTER LXIII
ANNE GILCHRIST TO WALT WHITMAN
_12 Well Rd.
Hampstead
Jan. 27, '83._
Public-domain text, read in full here on John Shaqi.
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