I don't quite agree with you in two small respects. First, I question very much whether it would have been a good thing for every great man to have had his Boswell, inasmuch as I think that two Boswells, or three at most, would have made great men extraordinarily false, and would have set them on always playing a part, and would have made distinguished people about them for ever restless and distrustful. I can imagine a succession of Boswells bringing about a tremendous state of falsehood in society, and playing the very devil with confidence and friendship. Secondly, I cannot help objecting to that practice (begun, I think, or greatly enlarged by Hunt) of italicising lines and words and whole passages in extracts, without some very special reason indeed. It does appear to be a kind of assertion of the editor over the reader--almost over the author himself--which grates upon me. The author might almost as well do it himself to my thinking, as a disagreeable thing; and it is such a strong contrast to the modest, quiet, tranquil beauty of "The Deserted Village," for instance, that I would almost as soon hear "the town crier" speak the lines. The practice always reminds me of a man seeing a beautiful view, and not thinking how beautiful it is half so much as what he shall say about it. In that picture at the close of the third book (a most beautiful one) of Goldsmith sitting looking out of window at the Temple trees, you speak of the "gray-eyed" rooks. Are you sure they are "gray-eyed"? The raven's eye is a deep lustrous black, and so, I suspect, is the rook's, except when the light shines full into it. I have reserved for a closing word--though I _don't_ mean to be eloquent about it, being far too much in earnest--the admirable manner in which the case of the literary man is stated throughout this book. It is splendid. I don't believe that any book was ever written, or anything ever done or said, half so conducive to the dignity and honour of literature as "The Life and Adventures of Oliver Goldsmith," by J. F., of the Inner Temple. The gratitude of every man who is content to rest his station and claims quietly on literature, and to make no feint of living by anything else, is your due for evermore. I have often said, here and there, when you have been at work upon the book, that I was sure it would be; and I shall insist on that debt being due to you (though there will be no need for insisting about it) as long as I have any tediousness and obstinacy to bestow on anybody. Lastly, I never will hear the biography compared with Boswell's except under vigorous protest. For I do say that it is mere folly to put into opposite scales a book, however amusing and curious, written by an unconscious coxcomb like that, and one which surveys and grandly understands the characters of all the illustrious company that move in it.