The Letters of Charles Dickens. Vol. 2, 1857-1870Dickens, Charles
General
The Letters of Charles Dickens. Vol. 2, 1857-1870
Dickens, Charles
Dickens, Charles, 1812-1870 -- Correspondence; Novelists, English -- 19th century -- Correspondence
Best love to Mamie, and to Katie and Charley. I know you will report me
and my love to Forster and Mrs. Forster. I write with great difficulty,
wedged up in a corner, and having my heels on the paper as often as the
pen. Kelly worse than ever, and Scott better than ever.
My desk and I have just arisen from the floor.
[Sidenote: Miss Dickens.]
PARKER HOUSE, BOSTON, _Thursday, Nov. 21st, 1867._
I arrived here on Tuesday night, after a very slow passage from Halifax
against head-winds. All the tickets for the first four readings here
(all yet announced) were sold immediately on their being issued.
You know that I begin on the 2nd of December with "Carol" and "Trial"?
Shall be heartily glad to begin to count the readings off.
This is an immense hotel, with all manner of white marble public
passages and public rooms. I live in a corner high up, and have a hot
and cold bath in my bedroom (communicating with the sitting-room), and
comforts not in existence when I was here before. The cost of living is
enormous, but happily we can afford it. I dine to-day with Longfellow,
Emerson, Holmes, and Agassiz. Longfellow was here yesterday. Perfectly
white in hair and beard, but a remarkably handsome and notable-looking
man. The city has increased enormously in five-and-twenty years. It has
grown more mercantile--is like Leeds mixed with Preston, and flavoured
with New Brighton; but for smoke and fog you substitute an exquisitely
bright light air. I found my rooms beautifully decorated (by Mrs.
Fields) with choice flowers, and set off by a number of good books. I am
not much persecuted by people in general, as Dolby has happily made up
his mind that the less I am exhibited for nothing the better. So our men
sit outside the room door and wrestle with mankind.
Public-domain text, read in full here on John Shaqi.
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