The Letters of Charles Dickens. Vol. 3, 1836-1870Dickens, Charles
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The Letters of Charles Dickens. Vol. 3, 1836-1870
Dickens, Charles
Dickens, Charles, 1812-1870 -- Correspondence; Novelists, English -- 19th century -- Correspondence
Be sure that I am perfectly frank and open in all I have said in this
note, and that I have not a grain of reservation in my mind. I think the
story a very fine one, one that no other man could write, and that there
is no strength in your misgiving for the two reasons: firstly, that the
work is professedly a work of Fancy and Fiction, in which the reader is
not required against his will to take everything for Fact; secondly,
that it is written by the man who can write it. The Magician's servant
does not know what to do with the ghost, and has, consequently, no
business with him. The Magician does know what to do with him, and has
all the business with him that he can transact.
I am quite at ease on the points that you have expressed yourself as not
at ease upon. Quite. I cannot too often say that if they were carried on
weak shoulders they would break the bearer down. But in your mastering
of them lies the mastery over the reader.
This will reach you at Knebworth, I hope, to-morrow afternoon. Pray give
your doubts to the winds of that high spot, and believe that if I had
them I would swarm up the flag-staff quite as nimbly as Margrave and
nail the Fenwick colours to the top.
Ever affectionately yours.
[Sidenote: The same.]
3, HANOVER TERRACE, REGENT'S PARK,
_Monday, Twentieth May, 1861._
MY DEAR BULWER LYTTON,
I did not read from Australia till the end, because I was obliged to be
hard at work that day, and thought it best that the MS. should come back
to you rather than that I should detain it. Of course, I _can_ read it,
whenever it suits you. As to Isabel's dying and Fenwick's growing old, I
would say that, beyond question, whatever the meaning of the story tends
to, is the proper end.
All the alterations you mention in your last, are excellent.
As to title, "Margrave, a Tale of Mystery," would be sufficiently
striking. I prefer "Wonder" to "Mystery," because I think it suggests
something higher and more apart from ordinary complications of plot, or
the like, which "Mystery" might seem to mean. Will you kindly remark
that the title PRESSES, and that it will be a great relief to have it as
soon as possible. The last two months of my story are our best time for
announcement and preparation. Of course, it is most desirable that your
story should have the full benefit of them.
Ever faithfully.
[Sidenote: Lady Olliffe.]
LORD WARDEN HOTEL, DOVER,
_Sunday, Twenty-sixth May, 1861._
MY DEAR LADY OLLIFFE,
I have run away to this sea-beach to get rid of my neuralgic face.
Public-domain text, read in full here on John Shaqi.
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