The Letters of Elizabeth Barrett Browning (Volume 1 of 2)Browning, Elizabeth Barrett
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The Letters of Elizabeth Barrett Browning (Volume 1 of 2)
Browning, Elizabeth Barrett
Browning, Elizabeth Barrett, 1806-1861 -- Correspondence; Poets, English -- 19th century -- Correspondence
... With many thanks, cordial and true, I thank you for the pleasure I
have enjoyed in connection with these proofs of genius. To be honest,
it is my own personal opinion (I give it to you for as much as it
is worth--not much!) that many of the subjects of these drawings
are unfit for graphic representation. What we can bear to see in the
poet's vision, and sustained on the wings of his divine music, we
shrink from a little when brought face to face with, as drawn out
in black and white. You will understand what I mean. The horror and
terror preponderate in the drawings, and what is sublime in the
poet is apt to be extravagant in the artist--and this, not from a
deficiency of power in the latter, but from a treading on ground
forbidden except to the poet's foot. I may be wrong, perhaps--I do
not pretend to be right. I only tell you (as you ask for them) what my
impressions are.
I need not say that I wish all manner of success to your friend the
artist, and laurels of the weight of gold while of the freshness of
grass--alas! an impossible vegetable!--fabulous as the Halcyon!
_To H.S. Boyd_
Monday, December 24, 1844 [postmark].
My dearest Mr. Boyd,--I wish I had a note from you to-day--which
optative aorist I am not sure of being either grammatical or
reasonable! Perhaps you have expected to hear from _me_ with more
reason....
I fancied that you would be struck by Miss Martineau's lucid and able
style. She is a very admirable woman--and the most logical intellect
of the age, for a woman. On this account it is that the men throw
stones at her, and that many of her own sex throw dirt; but if I
begin on this subject I shall end by gnashing my teeth. A righteous
indignation fastens on me. I had a note from her the other day,
written in a noble spirit, and saying, in reference to the insults
lavished on her, that she was prepared from the first for _publicity_,
and ventured it all for the sake of what she considered the truth--she
was sustained, she said, by the recollection of Godiva.
Do you remember who Godiva was--or shall I tell you? Think of
it--Godiva of Coventry, and peeping Tom. The worst and basest is, that
in this nineteenth century there are thousands of Toms to one.
I think, however, myself, and with all my admiration for Miss
Martineau, that her statement and her reasonings on it are not free
from vagueness and apparent contradictions. She writes in a state of
enthusiasm, and some of her expressions are naturally coloured by her
mood of mind and nerve.
Public-domain text, read in full here on John Shaqi.
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