The Letters of Elizabeth Barrett Browning (Volume 1 of 2)Browning, Elizabeth Barrett
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The Letters of Elizabeth Barrett Browning (Volume 1 of 2)
Browning, Elizabeth Barrett
Browning, Elizabeth Barrett, 1806-1861 -- Correspondence; Poets, English -- 19th century -- Correspondence
While I am writing of the 'New Quarterly,' I take the liberty of
making a remark, not of course in relation to myself--I know too well
my duty to my judges--but to your view of the Vantage ground of the
poetesses of England. It is a strong impression with me that previous
to Joanna Baillie there was no such thing in England as a poetess;
and that so far from triumphing over the rest of the world in that
particular product, we lay until then under the feet of the world.
We hear of a Marie in Brittany who sang songs worthy to be mixed with
Chaucer's for true poetic sweetness, and in Italy a Vittoria Colonna
sang her noble sonnets. But in England, where is our poetess before
Joanna Baillie--poetess in the true sense? Lady Winchilsea had an
_eye_, as Wordsworth found out; but the Duchess of Newcastle had
more poetry in her--the comparative praise proving the negative
position--than Lady Winchilsea. And when you say of the French, that
they have only epistolary women and wits, while we have our Lady Mary,
why what would Lady Mary be to us _but_ for her letters and her wit?
Not a poetess, surely! unless we accept for poetry her graceful _vers
de société_.
Do forgive me if an impulse has carried me too far. It has been long
'a fact,' to my view of the matter, that Joanna Baillie is the first
female poet in all senses in England; and I fell with the whole weight
of fact and theory against the edge of your article.
I recall myself now to my first intention of being simply, but not
silently, grateful to you; and entreating you to pardon this letter
too quickly to think it necessary-to answer it....
I remain, very truly yours,
ELIZABETH B. BARRETT.
_To Mr. Chorley_
50 Wimpole Street: January 7, 1845.
Dear Mr. Chorley,--You are very good to deign to answer my
impertinences, and not to be disgusted by my defamations of 'the
grandmothers,' and (to diminish my perversity in your eyes) I am ready
to admit at once that we are generally too apt to run into premature
classification--the error of all imperfect knowledge; and into
unreasonable exclusiveness--the vice of it. We spoil the shining
surface of life by our black lines drawn through and through, as
if ominously for a game of the fox and goose. For my part, however
imperfect my practice may be, I am intimately convinced--and more and
more since my long seclusion--that to live in a house with windows on
every side, so as to catch both the morning and evening sunshine, is
the best and brightest thing we have to do--to say nothing about the
justest and wisest. Sympathies are our opportunities of good.
Moreover, I know nothing of your 'sweet mistress Anne.'[122] I never
read a verse of hers. Ignorance goes for much, you see, in all our
mal-criticisms, and my ignorance goes to this extent. I cannot write
to you of your Anglo-American poetess.
Public-domain text, read in full here on John Shaqi.
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