The Letters of Elizabeth Barrett Browning (Volume 1 of 2)Browning, Elizabeth Barrett
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The Letters of Elizabeth Barrett Browning (Volume 1 of 2)
Browning, Elizabeth Barrett
Browning, Elizabeth Barrett, 1806-1861 -- Correspondence; Poets, English -- 19th century -- Correspondence
What am I doing, to tell you of? Nothing! The winter is kind, and
this divine 'muggy' weather (is _that_ the technical word and spelling
thereof?), which gives all reasonable people colds in their heads,
leaves _me_ the hope of getting back to the summer without much
injury. A friend of mine--one of the greatest poets in England
too--brought me primroses and polyanthuses the other day, as they are
grown in Surrey![140] Surely it must be nearer spring than we think.
Dearest Mrs. Martin, write and say how you are. And say, God bless
you, both the yous, and mention Mr. Martin particularly, and what your
plans are.
Ever your affectionate
BA.
[Footnote 140:
Beloved, them hast brought me many flowers
Plucked in the garden, all the summer through,
And winter, and it seemed as if they grew
In this close room, nor missed the sun and showers.
_Sonnets from the Portuguese_, xliv.]
_To Mrs. Martin_
Tuesday [end of June 1846].
So, my dearest Mrs. Martin, you are quite angry with all of us and
with me chiefly. Oh, you need not say no! I see it, I understand it,
and shall therefore take up my own cause precisely as if I were an
injured person. In the first place, dearest Mrs. Martin, when you
wrote to me (at last!) to say that we were both guilty correspondents,
you should have spoken in the singular number; for I was not guilty
at all, I beg to say, while you were on the Continent. You were
uncertain, you said, on going, where you should go and how long
you should stay, and you promised to write and give me some sort of
address--a promise never kept--and where was I to write to you? I
heard for the first time, from the Peytons, of your being at Pau, and
then you were expected at home. So innocent I am, and because it is
a pleasure rather rare to make a sincere profession of innocence, I
meant to write to you at least ten days ago; and then (believe me you
will, without difficulty) the dreadful death of poor Mr. Haydon,[141]
the artist, quite upset me, and made me disinclined to write a word
beyond necessary ones. I thank God that I never saw him--poor gifted
Haydon--but, a year and a half ago, we had a correspondence which
lasted through several months and was very pleasant while it lasted.
Then it was dropped, and only a few days before the event he wrote
three or four notes to me to ask me to take charge of some papers
and pictures, which I acceded to as once I had done before. He was
constantly in pecuniary difficulty, and in apprehension of the seizure
of goods; and nothing of _fear_ suggested itself to my mind--nothing.
The shock was very great. Oh! I do not write to you to write of this.
Only I would have you understand the real case, and that it is not an
excuse, and that it was natural for me to be shaken a good deal. No
artist is left behind with equal largeness of poetical conception! If
the hand had always obeyed the soul, he would have been a genius of
the first order. As it is, he lived on the _slope_ of greatness
Public-domain text, read in full here on John Shaqi.
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