The Letters of Elizabeth Barrett Browning (Volume 1 of 2)Browning, Elizabeth Barrett
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The Letters of Elizabeth Barrett Browning (Volume 1 of 2)
Browning, Elizabeth Barrett
Browning, Elizabeth Barrett, 1806-1861 -- Correspondence; Poets, English -- 19th century -- Correspondence
It was during the stay at Pisa, and early in the year 1847, that Mr.
Browning first became acquainted with his wife's 'Sonnets from
the Portuguese.' Written during the course of their courtship and
engagement, they were not shown even to him until some months after
their marriage. The story of it was told by Mr. Browning in later
life to Mr. Edmund Gosse, with leave to make it known to the world in
general; and from Mr. Gosse's publication it is here quoted in his own
words.[156]
[Footnote 156: '_Critical Kit-Kats_,' by E. Gosse, p. 2 (1896).]
'Their custom was, Mr. Browning said, to write alone, and not to show
each other what they had written. This was a rule which he sometimes
broke through, but she never. He had the habit of working in a
downstairs room, where their meals were spread, while Mrs. Browning
studied in a room on the floor above. One day, early in 1847, their
breakfast being over, Mrs. Browning went upstairs, while her husband
stood at the window watching the street till the table should be
cleared. He was presently aware of some one behind him, although the
servant was gone. It was Mrs. Browning, who held him by the shoulder
to prevent his turning to look at her, and at the same time pushed
a packet of papers into the pocket of his coat. She told him to read
that, and to tear it up if he did not like it; and then she fled again
to her own room.'
The sonnets were intended for her husband's eye alone; in the first
instance, not even for his. No poems can ever have been composed with
less thought of the public; perhaps for that very reason they are
unmatched for simplicity and sincerity in all Mrs. Browning's work.
Her genius in them has full mastery over its material, as it has in
few of her other poems. All impurities of style or rhythm are purged
away by the fire of love; and they stand, not only highest among the
writings of their authoress, but also in the very forefront of English
love-poems. With the single exception of Rossetti, no modern English
poet has written of love with such genius, such beauty, and such
sincerity, as the two who gave the most beautiful example of it in
their own lives.
Public-domain text, read in full here on John Shaqi.
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