The Letters of Elizabeth Barrett Browning (Volume 2 of 2)Browning, Elizabeth Barrett
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The Letters of Elizabeth Barrett Browning (Volume 2 of 2)
Browning, Elizabeth Barrett
Browning, Elizabeth Barrett, 1806-1861 -- Correspondence; Poets, English -- 19th century -- Correspondence
As for my poem (far below Penini's), I work on steadily and have put in
order and transcribed five books, containing in all above six thousand
lines ready for the press. I have another book to put together and
transcribe, and then must begin the composition part of one or two more
books, I suppose. I must be ready for printing by the time we go to
England, in June. Robert too is much occupied with 'Sordello,'[49] and
we neither of us receive anybody till past four o'clock. I mean that
when you have read my new book, you put away all my other poems or most
of them, and know me only by the new. Oh, I am so anxious to make it
good. I have put much of myself in it--I mean to say, of my soul, my
thoughts, emotions, opinions; in other respects, there is not a personal
line, of course. It's a sort of poetic art-novel. If it's a failure,
there will be the comfort of having made a worthy effort, of having done
it as well as I could. Write soon to me, and love us both constantly, as
we do you.
Your ever affectionate
BA.
* * * * *
_To Mrs. Jameson_
[Paris]: May 2, 1856 [postmark].
My dearest Mona Nina,--It's very pleasant always to get letters from
you, and such kind dear letters, showing that you haven't broken the
tether-strings in search of 'pastures new,' weary of our cropped grass.
As for news, you have most of the persons upon whom you care for gossip
in your hand now--Mrs. Sartoris, Madame Viardot, Lady Monson, and the
Ristori herself. Robert went to see her twice, because Lady Monson led
him by the hand kindly, and was charmed; thought the Médée very fine,
but won't join in the cry about miraculous genius and Rachel
out-Racheled. He thinks that as far as the highest and largest
development of sensibility can go, she is very great; but that for those
grand and sudden _aperçus_ which have distinguished actors--such as
Kean, for instance--he does not acknowledge them in her. You have heard
perhaps how Dickens and others, Macready among the rest, depreciated
her. Dickens went so far as to say, I understand, that no English
audience would tolerate her defects; which will be put to the proof
presently. By the way, you had better not quote Macready on this
subject, as he expressed himself unwilling to be quoted on it....
Public-domain text, read in full here on John Shaqi.
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