Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
As an American today he is certainly in the front line--no
doubt about that at all. --/--/
110: TO GORHAM MUNSON
[_Cleveland_] _Monday_
Dear Gorham: I’m glad that Burke meets you in approving the “sea”
poem,[22] and I’m sorry that it is, or at least appears to be beyond me
to make changes in it. Of course you know I have never been very
enthusiastic about it. Its only value in my mind rests in its approach
to the “advertisement” form that I am contemplating and, I think, spoke
to you about. It is a kind of poster,--in fact, you might name it
“Poster” if the idea hits you. There is nothing more profound in it than
a “stop, look and listen” sign. And it is the conception of the poem
that makes me like the last line as I do--merely bold and unambitious
like a skull & cross-bones insignia. --/--/
111: TO GORHAM MUNSON
[_Cleveland_] _Tuesday_
Dear Gorham: --/--/ God! I wish I were on the New York scene, what with
the items of your last letter. I was especially thrilled at the Damon
book on Blake. You know how much Blake has always interested me. I’ve
always thought Damon a very capable figure, and hope you get the
Vers-Libre histoire for _Secession_. Sam [Loveman] was telling me today
that he had seen some notice of issue #3 of that notable sheet in
Sunday’s [N. Y.] _Times_, with a mention specific of Matty too.
I answered jh last Saturday, with a slight reprimand for the impotence
of her “kick” at you in _The L. R._ I should rather like to see her
aggravated a little longer, which is pretty sure to occur. I, as you
know, have a certain admiration for Cuthbert Wright, but I felt his
anti-DADA article in _The D. D._ was rather weak. I’m so tired of seeing
the _young_ turn their heads and wag them despairingly at every modern
manifestation. They don’t need to accept them all,--but it’s so
uninspiring to see them turn back to Greece and quote some Meleager
lyric as the paragon of all time. This gesture from Wright was a little
disappointing to me. Allen Tate writes me that he has returned to
Nashville and joined the Ransom crowd there again. Your rejection of
“Choresis” I presume was largely responsible for this return to the
native.
I’m about fed up on furnaces and hot water heaters. I’ve been very
attentive to the little ad. stories now for quite awhile. It’s about
time that I did something about “F and Helen” again. To make things
better or worse (I don’t know which yet) I’ve almost fallen in love. I
may add, an object more than usually responsive this time. --/--/
112: TO GORHAM MUNSON
[_Cleveland_] _Sept. 29th, 1922_
Public-domain text, read in full here on John Shaqi.
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