Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Untermeyer’s article was at least decent, it was a non-insulting sort of
bulletin and one of the better sort of things that could happen to
_Secession_ and its group. I was quite surprised that this parodist and
facile assessor could so gracefully rise to the occasion of a new
attitude. Whether we like him or not, his “position” in the American
scene carries some weight, so I rather hope to see him continue his
interest. --/--/
121: TO ----
_Cleveland_ _December 10th, ’22_
My dear ----: My mother will not tolerate wine at the house--so I am
rebelling. I am thinking seriously of moving into permanent private
quarters where one need not be questioned about every detail of life and
where one can be free of the description of one’s food and its contents
and manner of preparation while it is eaten at the table. To this end I
am at present staying for a few days at a hotel. Maybe I shall move out
as above indicated, or maybe I shall go back; it all depends on the
course she takes. Because I dread to leave her on account of the
position it puts her in I hope she will be more lenient with me. I don’t
ask much, and the little wine I succeed in getting has never resulted in
embarrassing her. I never “carry on” at the house or annoy her. The fact
of wine, alone, is what infuriates her puritanical instincts. All this
is tedious and maudlin stuff to write, but that very fact makes it in
some measure an excuse for my present dull outlook on things. Life is
hard enough, God knows, without having to put up with a hundred extra
restrictions in order to just have a room and a bed! --/--/
How _do_ you manage such exquisite delights every time you journey to
the Metropolis?! Your letter was superb. I can understand, also, how you
failed to “mix” with Munson and his friends. You are so much of the
Nineties that it was scarcely to be expected. You had the same reactions
as H---- would have had to such a meeting. I am not saying that there is
any single attitude toward art that is final. I do contend, however,
that Munson, Burke, Cummings and Waldo Frank all have something new and
fine to offer. And whether or not you agree with their critical “lingo”
you will nevertheless find their creative results interesting and vital.
In last week’s _New Republic_ there was an article on the group by Louis
Untermeyer, non-committal but intelligent, on _Secession_ and its
contributors in which I was mentioned casually. We are all of us quite
different. Our differences from the attitude of the present
generation-in-power are in each case individual. I shall probably never
amount to anything--but the others that I have just mentioned will do
things of considerable importance. Frank, in _Rahab_, and Burke in his
criticisms and in a number of short ideographic stories, have already
established places in contemporary letters. --/--/
Public-domain text, read in full here on John Shaqi.
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