Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
“If the essences of things were in their mass and bulk we should not
need the clairvoyance of Stieglitz’s photography to arrest them for
examination and appreciation. But they are suspended on the invisible
dimension whose vibrance has been denied the human eye at all times save
in the intuition of ecstasy. Alfred Stieglitz can say to us today what
William Blake said to as baffled a world more than a hundred years ago
in his ‘To the Christians’:
‘I give you the end of a golden string:
Only wind it into a ball,--
It will lead you in at Heaven’s gate,
Built in Jerusalem’s wall.’”
143: TO CHARLOTTE RYCHTARIK
[_New York City_] [_ca. May 7_]
My dear Lotte: --/--/ R[ichard Rychtarik] wanted me to ask Frank about
the privilege of translating some of the stories in _City Block_. I got
an answer from Frank this morning, suggesting that Richard translate the
book if I thought him able. Well,--translating is difficult, and
especially Waldo Frank is hard to translate, I am sure. I think it would
be fine if Richard went ahead with the stories. But before any are
published I think it would be wise to try them out on some other people
who do Czech trans. from _Czech into English_ and see how true the
original style has been preserved. You are going to be angry with me for
all this fuss, I am sure, but you see I have no way of judging how well
Richard understands English as a literary language. I don’t want to
misrepresent Richard to Frank either. Please let me know what you think
of my plan. I shall send you back the copy of _City Block_ that R.
brought. It is your copy _to keep_; Frank is going to send me another
for myself.
I am going over to the office of _The Dial_ now to leave Richard’s
drawings, etc., for their consideration. We can’t expect to hear
anything about them for two or three weeks. I’ll let you know as soon as
I do. --/--/
144: TO WILLIAM SOMMER
_N. Y. C._ _May 9th, ’23_
Public-domain text, read in full here on John Shaqi.
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