Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
We talked from 3 until five--and in the end it was very satisfactory. He
began in the usual arbitrary way of inquisition into my attitude toward
business life, etc., just as though there had been no exchange of
letters and recent understandings on that subject, and did his best to
frighten me into compromises. I parried these thrusts very politely,
although it was very hard many times not to jump up and begin
declaiming. However, I realized this time that my ordinary language
about such topics is simply beyond his comprehension, so I quietly kept
on doing my best to explain myself in terms that he would understand and
not resent any more than possible. He finally ended by accepting me
quite docilely as I am: in fact there was nothing else to do, especially
as I did not so much as hint that there was anything I hoped he would do
for me--or was ever planning that he would do for me.
Then he talked to me, as usual about his own affairs, and finally came
around to asking my advice on a new product of his, its proper naming,
and the best way to advertise it. He is going to send me data on the
subject, and wants me to write some ads for him about it! You see, from
this alone (and I have also other grounds to judge by) that he really
respects me. He inquired in detail about you and Grandma and seems to
have the right sort of interest in you. He also came around to agree
that I was quite exemplary of both sides of my family in not being made
of any putty--knowing what I want to do, and sticking it out despite
adversities. At parting he spoke of his anticipations of more extended
contact with me on his next visit here, urged me to write him often, and
thrust a greenback in my pocket. So that’s that!
The work at the office goes smoothly enough to reassure me somewhat. My
copy on the cheese book went over without any changes whatever, and that
makes one write the next job a whole lot faster and imaginatively. Your
own dear special has just come, and I’m awfully glad to know that things
are alright and that my letters are worth something to you in spite of
the haste they always have to be written in.
Tonight is the opening of a new play at the Provincetown Theatre and I
am invited to attend with Sue [Jenkins], who is the wife of James Light,
the stage director. Through Light and O’Neill I know the whole crowd
over there now, and it is very interesting to watch this most
progressive theater in America in the details of its productions,--going
behind scenes, watching rehearsals, etc. I have changed my opinions, or
rather prejudices, about Claire Eames since meeting her there and
watching her work in two recent productions. She isn’t at all stiff or
pompous,--and as an artist she is very flexible and exact. O’Neill, by
the way, recently told a mutual friend of ours that he thinks me the
most important writer of all in the group of younger men with whom I am
generally classed.
Public-domain text, read in full here on John Shaqi.
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