Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Note the above address [110 Columbia Heights], and you will see that I
am living in the shadow of that bridge. It is so quiet here; in fact,
it’s like the moment of the communion with the “religious gunman” in my
“F and H” where the edge of the bridge leaps over the edge of the
street. It was in the evening darkness of its shadow that I started the
last part of that poem. Imagine my surprise when E---- brought me to this
street where, at the very end of it, I saw a scene that was more
familiar than a hundred factual previsions could have rendered it! And
there is all the glorious dance of the river directly beyond the back
window of the room I am to have as soon as E----’s father moves out,
which is to be soon. E---- will be back then from S. America where he
had to ship for wages as ship’s writer. That window is where I would be
most remembered of all: the ships, the harbor, and the skyline of
Manhattan, midnight, morning or evening,--rain, snow or sun, it is
everything from mountains to the walls of Jerusalem and Nineveh, and all
related and in actual contact with the changelessness of the many waters
that surround it. I think the sea has thrown itself upon me and been
answered, at least in part, and I believe I am a little changed--not
essentially, but changed and transubstantiated as anyone is who has
asked a question and been answered.
Now I can thank you for the wisdom of your last letter to me, and most
of all for your confidence in me. (It is strange, but I can feel no
place for paragraphs in this letter!) (Yet one goes on making
paragraphs.) It came at the very moment of my present understanding, and
it is as though it, in some clairvoyant way, included it. Only, I so
much wish you were here these days for you are the only one I know who
quite encircles my experience. I shall never, of course, be able to give
any account of it to anyone in direct terms, but you will be here and
not so far from now. Then we shall take a walk across the bridge to
Brooklyn (as well as to Estador, for all that!). Just now I feel the
flood tide again the way it seemed to me just before I left Cleveland
last year, and I feel like slapping you on the back every half-hour.
Malcolm Cowley was very nice in telling me about an opening in the
office of Sweet’s Catalogues (architectural and engineering), and for
the last two weeks I’ve been up there at five dollars a week the better
salary than Thompson’s gave me. The work involves no extraneous elements
like “human interest” and such bosh, albeit a great deal of care and
technical information: but so far I’ve been able to straddle it, and
here’s hoping.
Public-domain text, read in full here on John Shaqi.
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