Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear Grace: Another very active week. Luncheon with someone different
every day,--and nearly always someone to take up the evening. But I have
been so interested in several incompleted poems that I’ve sat up very
late working on them, and so by the advent of Saturday felt pretty
tuckered out. There’s no stopping for rest, however, when one is the
“current” of creation, so to speak, and so I’ve spent all of today at
one or two stubborn lines. My work is becoming known for its formal
perfection and hard glowing polish, but most of these qualities, I’m
afraid, are due to a great deal of labor and patience on my part.
Besides working on parts of my _Bridge_, I’m engaged in writing a series
of six sea poems called “Voyages” (they are also love poems), and one of
these you will soon see published in _1924_, a magazine published at
Woodstock and which I think I told you about heretofore.
It darkened before five today and the wind’s onslaught across the bay
turns up white-caps in the river’s mouth. The gulls are chilly-looking
creatures--constantly wheeling around in search of food here in the
river as they do hundreds of miles out at sea in the wakes of liners.
The radiator sizzles in the room here and it is warm enough for anyone’s
comfort, even yours. I feel as though I were well arranged for a winter
of rich work, reading and excitement--there simply isn’t half time
enough (that’s my main complaint) for all that is offered. And the weeks
go by so fast! It will soon be sneezing season again before I know it.
--/--/ He [Eugene O’Neill] seems to have Europe in applause more than
America. That is true of Waldo Frank’s work in France, also, where he
has been much translated and more seriously considered, far more so,
than here at home. The American public is still strangely unprepared for
its men of higher talents, while Europe looks more to America for the
renascence of a creative spirit.
Your letter came last night--was tucked under my door when I came in at
one o’clock. Its tenderness and affection were welcome adjuncts to a
good long sleep. I thought of you, too, just “turning in”--very
likely--after the dance you mentioned, and I was very happy to think of
your having had a lyric evening, dancing as you so enjoy doing. I’d like
to see the A----s and the P----s myself. They were a little unfair to
me--but good sports too, in a way, and unusually merry bosses. I still
like to think of those five o’clock booze parties we had in the office
and how giddily I sometimes came home for dinner. You were very charming
and sensible about it all, too, and I thank my stars that while you are
naturally an inbred Puritan you also know and appreciate the harmless
gambols of an exuberant nature like my own. It all goes to promise that
we shall have many merry times together later sometime when we’re a
little closer geographically.
Public-domain text, read in full here on John Shaqi.
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