Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear Gorham: I’m extremely sorry to have caused you such doubts and
misunderstandings by what I said yesterday at lunch, and I’m further
glad to say that I do not deserve all of them. In fact before your
letter reached me I suddenly remembered my mention of the proposed
attack on you and Waldo, and that I had given you a very incomplete
account of it.
When this came up at the coffee house a week since yesterday I at once
interrupted it by offering to withdraw from any participation in the
issue whatever. Allen Tate was there at the time, and as a fairly
neutral party I think you can rely on him to check my statement as a
fact. At any rate I hope you will ask him about it when you next see
him. I have so consistently defended you and Waldo in that particular
company that I have so far derived little from the meetings but an
unnecessarily aggravated state of nerves and feelings.
From your standpoint, I have long been aware, there is no excuse for my
association with people whose activities are so questionable from
several angles. And especially since I have been as strong in
denunciations of them as anyone. (And let me add that I have taken no
pains to conceal these opinions from anyone whatever.) Yet, at the same
time, and whether fortunately or otherwise, I have not been so situated
that I could possibly maintain the complete isolation which it has been
your desired good fortune to maintain. While there is danger, and a good
deal of it, I dare say, in my position, I have also felt that in yours,
Gorham, lurked the possible blindfolding of certain recognitions, which,
attached personalities being removed, you would have naturally found
interesting and worthy. I can summon very little that is definite to
support my feelings about this at the present time. Issues are not at
all clear, and I am disgusted most of the time. You have set yourself to
a rigorous program, part of which I subscribe to in action, a larger
part of which I applaud you for as a critic, and another part of which I
feel is unnecessarily unwieldy, limited and stolid. Perhaps all this
assurance-plus is necessary in fighting as stringently as you have done
and are doing, but so far I am not crystallized enough, as it were, to
accept the whole lock-stock-and-barrel of it. To a certain extent, as
Wyndham Lewis says, one must be broken up to live. Which I defend myself
by interpreting--the artist must have a certain amount of “confusion” to
bring into form. But that’s not the whole story, either.
Regardless of these issues you will be assured, I hope, that I have so
far found nothing in either your work or Waldo’s which I would wish to
attack. Your generosity, meanwhile, certainly deserves my thanks for
appreciating the sometimes necessary distinctions between a personal
friendship with a man and one’s opinion of his work.
Public-domain text, read in full here on John Shaqi.
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