Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
All this is inconsecutive and indeterminate because I am trying to write
shorthand about an endless subject--and moreover am unresolved as to any
ultimate conviction. I am not fancying I am “enlightening” you about
anything,--nor, if I thought I were merely exposing personal sores,
would I continue to be so monotonous. Emotionally I should like to write
_The Bridge_; intellectually judged the whole theme and project seems
more and more absurd. A fear of personal impotence in this matter
wouldn’t affect me half so much as the convictions that arise from other
sources.... I had what I thought were authentic materials that would
have been a pleasurable-agony of wrestling, eventuating or not in
perfection--at least being worthy of the most supreme efforts I could
muster.
These “materials” were valid to me to the extent that I presumed them to
be (articulate or not) at least organic and active factors in the
experience and perceptions of our common race, time and belief. The very
idea of a bridge, of course, is a form peculiarly dependent on such
spiritual convictions. It is an act of faith besides being a
communication. The symbols of reality necessary to articulate the
span--may not exist where you expected them, however. By which I mean
that however great their subjective significance to me is
concerned--these forms, materials, dynamics are simply non-existent in
the world. I may amuse and delight and flatter myself as much as I
please--but I am only evading a recognition and playing Don Quixote in
an immorally conscious way.
Public-domain text, read in full here on John Shaqi.
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