Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Meanwhile my other book, _White Buildings_, will have been published. It
comes out sometime this fall. I have my contract and the $100. advance
royalties mentioned in Grandma’s letter. O’Neill finally backed out on
the foreword, as I thought he would. He’s enthusiastic about my work,
I’ve never doubted that, but he didn’t have the necessary nerve to write
what his honesty demanded--a thorough and accurate appraisal of my work.
He can’t write criticism, never has tried even, and I foresaw the panic
that this proposal on the part of our mutual publisher would precipitate
in his bosom.... None other than Allen Tate!, it seems, is to write the
foreword. I was informed by my publisher of all this--along with the
acceptance. Has written it, in fact.... And (mum’s the word on this!) I
was very much touched to hear from Waldo, who knows all the inner
workings on this, that Allen offered his foreword under O’Neill’s
signature when he heard that O’Neill had backed out. Of course I
wouldn’t think of anything like that--so the foreword goes back to its
own name. I’m very glad things have turned out this way. My umbrage
toward Allen is erased by the fidelity of his action, and I’m glad to
have so discriminating an estimate as he will write of me. --/--/
257: TO WALDO FRANK
[_Isle of Pines_] _Aug 3_
Dear Waldo: Enclosed is “Atlantis”;[51] there have been variances since
your copy whether you have it now or not.--So will you kindly humor my
present little neurosis, and take care of this. I feel as though I were
dancing on dynamite these days--so absolute and elaborated has become
the conception. All sections moving forward now at once! I didn’t
realize that a bridge is begun from the two ends at once.... Don’t
bother to read what I send you; ye Gods I hope to preserve at least the
credit of not presuming on you to the point of total vulgarity. It’s all
right to be elegant--if you are rebellious like Rimbaud; however, I have
to admit grosser preoccupations; so I’m sloppy.
Gorham sent me Allen’s Preface, which I also enclose (you’re quite sure
to want to read this, if you haven’t already). I think it clever,
valiant, concise and beautiful. I’m more fortunate than I might have
been had things gone as they were supposed to have gone. Gorham said
he’d been up to see you. I’m trying to let down completely for awhile
and “recuperate.” “Powhatan’s Daughter” must be that basic center and
antecedent of all motion--“power in repose.”
Mrs. S-- has been following me in some of my recent reading, with the
result that she has named one of her roosters “Ferdinand, Count Fathom”!
It’s a good thing you aren’t near to hear our piano going it these days!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account