Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Here and there I think you are too didactic. Your “saint” is sometimes a
little _too_ consistent--though this latter reaction is so personal
merely to me, probably, that it’s valueless as comment. The beautifully
measured opening lines create a fine abstraction of time and space: out
of the clouds the sudden and dramatic introduction of the theme, the
earthly conflict. Will you forgive me for echoing something you recently
wrote me? I think this beats any and all of what previous verse of yours
I’ve seen. I suppose that it’s a case--with all of us--of having to find
the right theme. Much of your earlier poetry (and please don’t
unconsciously include _Doc Transit_ here) seemed diffuse to me, and
sometimes obscure. This long poem has the amplitude and self-contained
movement that I can’t seem to find in any recent narrative poetry. I
wish I had the facility for mingling fact and inference so neatly--into
so organic a rhythm. I’m so hugged and restricted by a single-track,
iambic metronometer these days!
Somebody sent me Hemingway’s _Sun Also Rises_ to read. It certainly does
what he evidently intends it doing--I’ve had a case of acidosis just
reading the list of drinks that clutter every page. He certainly knows
what dry-throated Americans want; no wonder the book sells. To me it
seems brilliant enough (the fiesta and the bullfight are splendid) but
horribly cold. A novel to read if you want a slant at one aspect of the
age, but without any of the engraciating qualities that makes _Ulysses_,
even that bitter book, a thing to keep and enjoy many times.
I’m still on the watch for a job, so let me know if you hear of
anything. -- -- -- --
275: TO ALLEN TATE
_Patterson_ _Thursday Feb 24_
Dear Allen: I wish I could keep up with Winters. I already owe him
several letters, besides comment on the ms. of his “Fire Sequence,”
which awaited me when I returned from town. All his work is so genuine
that it takes close attention, meditation and blood and bone to
answer.... At present it’s too much for me, so I’ve sent the manifesto
on with a brief note to the effect that I agree with most of your
marginalia, i.e., where I differ with him. Though I go further than you
do in qualification of the Loeb-physics-etc. recipe.... Pure hocus-pocus
for the poet. Just one out [of] a five-thousand other scientific
similes, equally good to go by (regardless of their veracity)--and I
venture to say that Winters’ work suffers already from such arbitrary
torturings--all for the sake of a neat little point of reference. What
good will it do him to go on repeating in the background of every poem,
that “life is some slight disturbance of the balance,” etc., etc?! But
we all must have some kind of incantation, I suppose. Though I’d rather
adopt some of Blake’s aphorisms. They’re abstract enough. And a lot
truer than the latest combination of scientific terms.
Public-domain text, read in full here on John Shaqi.
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