Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear William: --/--/ But I have cheering news to tell you. “My
Grandmother’s Loveletters” tempted _The Dial_ to part with ten dollars,
my first “litry” money,--the seduction was complete,--and you may begin
to look for outrageous exposures next month or the next, in that
magazine. I cannot write much now, cramped in this rooming house room,
but when my mother returns from the tropics next month and I am
re-installed in my own room with my little Victrola, I hope to revive my
intimacy with la Muse. Just now I am deep in Baudelaire’s _Fleurs du
Mal_, and won’t brook anything healthful or cheery about the place.
38: TO WILLIAM WRIGHT
_Cleveland, Ohio_ _Feb. 24, 1920_
My dear William: --/--/ Take a layman’s word of advice and remain in
your present surroundings as long as possible and extract the full
amount of enjoyment from them while they last. It is not very exciting
to arise and essay forth to ten hours dull and exasperating labor every
morning at five-thirty and return home at night with a head like a wet
muffin afterward. And that is the routine that I am enmeshed in at
present, to say nothing of trying to exist on starvation wages. It’s the
old bunko stuff about “working from the bottom up” and “earning an
honest dollar” in practice, and if there are not some enlivening changes
in it soon, I am liable to walk into the office and tell the amused and
comfortable and rich and thriving spectator that “the joke’s up.”
Catullus uses somewhere in his epigrams about a man that he was “----ed
flat,” meaning I suppose a reference to emaciated thighs, etc., but the
phrase is none too vivid for me to use at present in reference to my
nervous and intellectual state. Add to this, an uncomfortable room,
cold, etc., and a routine of hasty and inadequate meals snatched from
chance lunch counters and there is further evidence for the state o’
things. --/--/
39: TO GORHAM MUNSON
[_Cleveland_] _March 6th, --’20_
Public-domain text, read in full here on John Shaqi.
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