Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
Dear Gorham: I am delighted to hear about your sudden appreciation of
D’Annunzio’s novels. In fact, I get a picture of you running with them
under your arm, (one arm, I should say,--the other being occupied with
other cargo,--) away from the, as usual, glaring M. Schopenhauer who
stands in the doorway of your erstwhile quiet ivory tower waving his
arms and shaking fists at you. I would rather, and more truthfully, I
think,--think of you thusly than as another picture, more common to
humanity, that always obtrudes upon me when anyone announces “an
engagement”--“The Storm”.... You will remember seeing it in a thousand
“art store” windows:--a curly youth partly in a bearskin trotting
amiably with a barefooted flaxen lady away from something that evidently
hasn’t taken the starch out, as yet, from a rag that they are dragging
along above them. It is all “too lovely” and pink. I am sure there is
more of a “rouge et noir” cast to your surrender. Well,--betrayal brings
memories and wisdom (to the male, anyway), and so I congratulate you on
your splash even though I suffer from unaccustomed silence. One word
before we close the subject, though:--you must not expect me to read
D’Annunzio.
Did I tell you that I have been enjoying the letters of Henry James?
Also, Aldous Huxley’s “Limbo,” and the Noh plays of Fenollosa and Pound.
Conrad’s _Nigger of the Narcissus_ seems to me all polyphonic prose,
plus the usual quality of Conrad characterization, etc. Then I’ve read
most of the tales in James’ _Better Sort_ vol. and that is about all
I’ve been able to cram into the exhausted evening hours since New York.
I’ll chuck in a page of the Akron poem that I struck off the other
evening just because I want an opinion on it from you.[12] Hustle back
to the ivory tower and put on your specks for a minute, please, and tell
me what you think of this uncouth trifle, sir. In view of my attitude
toward what Akron so strongly represents, I have been thinking that it
might be amusing to call the whole series “Porphyro in Akron.” I don’t
much care whether anyone will care for it or not. What I seem to want to
do more and more as time goes on, is to preserve a record of a few
thoughts and reactions that I’ve had in as accurate colors as possible
for at least private satisfaction. --/--/
47: TO GORHAM MUNSON
_Washington, D. C._ _Sept. 13th, ’20_
Public-domain text, read in full here on John Shaqi.
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