Authors, American -- 20th century -- Correspondence; Crane, Hart, 1899-1932. Correspondence
I have reached such blind alleys and found no way out of them that there
is nothing at present for me to do but laugh a little and
_endure_--which I hope to do. --/--/
Did I tell you I’d been drawing and painting some? I find it a
tremendous stimulation--and you begin to see so many more things than
before wherever you look. My drawings are original, at least, and Sommer
professes to see much in ’em. --/--/
68: TO GORHAM MUNSON
_Cleveland_ _June 16th ’21_
Hail! Citizen of the world! --/--/No work here except what I’ve lately
been making myself. This has all been occasioned by a very cordial
letter from the editor of _The Double-Dealer_, Basil Thompson, who urged
me to write something for them on Anderson. This has been done (to the
extent of 2000 words which, if taken, means $20.00) and dispatched. In
my present mood it seems to have been a good job. Also, I got up courage
and erudition enough to “do” a Vildrac translation for them which in the
original at least is fine.
I was very disappointed to find quite a bad typographical error in
“Black Tambourine.” “Mingle” instead of “mingl_ing_”--last line 2nd
verse. How foolish it makes me feel that way! It quite destroys the
sense of the thing.
They pay .30 per line of verse & 1 cent per prose word and want prose
badly. As I need money worse, I may do something in the short story way
for them if they fancy the Anderson thing. This last little effort has
rewarded me much already merely in getting my mind to working a little
again. I don’t dare hope for an ultimate success as a “free lance” but
am beginning to think that this writing game offers a chance to augment
one’s savings a little now and then at least.
69: TO GORHAM MUNSON
[_Cleveland_] _Saturday midnight_
Dear Gorham: Well. It has been a day I shall not soon forget. I have
just a little time since returned from my first visit to the Sommer farm
and studio--about half way between here and Akron in a beautiful
untrodden valley. He has an old old-fashioned schoolhouse for his
studio--the walls are white and hung with such an array of things as you
never have seen. Forgive my enthusiasm--I have been so dazzled for the
last 8 hours that I may seem somewhat incoherent in my expression. I
have brought home with me a considerable number of water-colours and
drawings which I am going to send on to you within a few days. These are
representative of his _best_ in this medium and I think you will be
enthusiastic about them. I could picture a dozen N.Y. picture dealers in
that studio today--radical or pedantical--all tearing [each] other’s
hair for the first chance of exhibiting such stuff. I feel convinced now
that all that needs be done is to get some samples of this work before
them,--and if they have any sense at all--either artistic or
commercial--they will seize upon it. --/--/
“Dynamism” is the splendid & fitting word for Sommer--the word I had
been looking for and got only as far as the adjectival use. --/--/
Public-domain text, read in full here on John Shaqi.
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