I have been here in this country about three days, and all that time my chief reading has been the "Address to Lochlomond" you were so obliging as to send to me. Were I impanneled one of the author's jury, to determine his criminality respecting the sin of poesy, my verdict should be "Guilty! A poet of nature's making!" It is an excellent method for improvement, and what I believe every poet does, to place some favourite classic author in his walks of study and composition before him as a model. Though your author had not mentioned the name, I could have, at half a glance, guessed his model to be Thomson. Will my brother-poet forgive me if I venture to hint that his imitation of that immortal bard is, in two or three places, rather more servile than such a genius as his required:--_e.g._ To soothe the maddening passions all to peace. ADDRESS. To soothe the throbbing passions into peace. THOMSON. I think the "Address" is in simplicity, harmony, and elegance of versification, fully equal to the "Seasons." Like Thomson, too, he has looked into nature for himself: you meet with no copied description. One particular criticism I made at first reading; in no one instance has he said too much. He never flags in his progress, but, like a true poet of nature's making, kindles in his course. His beginning is simple and modest, as if distrustful of the strength of his passion; only, I do not altogether like-- Truth, The soul of every song that's nobly great. Fiction is the soul of many a song that is nobly great. Perhaps I am wrong: this may be but a prose criticism. Is not the phrase, in line 7, page 6, "Great lake," too much vulgarised by every-day language for so sublime a poem? Great mass of waters, theme for nobler song, is perhaps no emendation. His enumeration of a comparison with other lakes is at once harmonious and poetic. Every reader's ideas must sweep the Winding margin of a hundred miles. The perspective that follows mountains blue--the imprisoned billows beating in vain--the wooded isles--the digression on the yew-tree--"Benlomond's lofty, cloud-envelop'd head," etc., are beautiful. A thunder-storm is a subject which has been often tried, yet our poet, in his grand picture, has interjected a circumstance, so far as I know, entirely original in the gloom Deep seam'd with frequent streaks of moving fire. In his preface to the Storm, "the glens how dark between," is noble highland landscape! The "rain ploughing the red mould," too, is beautifully fancied. "Benlomond's lofty, pathless top," is a good expression; and the surrounding view from it is truly great: the silver mist, Beneath the beaming sun,