eldest to me was a brother (Gilbert), who could drive a plough very
well, and help me to thrash the corn. A novel-writer might, perhaps,
have viewed these scenes with some satisfaction, but so did not I; my
indignation yet boils at the recollection of the scoundrel factor's
insolent threatening letters, which used to set us all in tears.
This kind of life--the cheerless gloom of a hermit with the unceasing
moil of a galley-slave, brought me to my sixteenth year; a little before
which period I first committed the sin of rhyme. You know our country
custom of coupling a man and woman together as partners in the labours
of harvest. In my fifteenth autumn, my partner was a bewitching
creature, a year younger than myself. My scarcity of English denies me
the power of doing her justice in that language, but you know the
Scottish idiom: she was a "bonnie, sweet, sonsie lass." In short, she,
altogether unwittingly to herself, initiated me in that delicious
passion, which, in spite of acid disappointment, gin-horse prudence, and
book-worm philosophy, I hold to be the first of human joys, our dearest
blessing here below! How she caught the contagion I cannot tell; you
medical people talk much of infection from breathing the same air, the
touch, etc.; but I never expressly said I loved her. Indeed, I did not
know myself why I liked so much to loiter behind with her, when
returning in the evening from our labours; why the tones of her voice
made my heart-strings thrill like an Aeolian harp; and particularly why
my pulse beat such a furious ratan, when I looked and fingered over her
little hand to pick out the cruel nettle-stings and thistles. Among her
other love-inspiring qualities, she sung sweetly; and it was her
favourite reel to which I attempted giving an embodied vehicle in rhyme.
I was not so presumptuous as to imagine that I could make verses like
printed ones, composed by men who had Greek and Latin; but my girl sung
a song which was said to be composed by a small country laird's son, on
one of his father's maids, with whom he was in love; and I saw no reason
why I might not rhyme as well as he; for, excepting that he could smear
sheep, and cast peats, his father living in the moorlands, he had no
more scholar-craft than myself.
Public-domain text, read in full here on John Shaqi.
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