The Letters of Robert Louis Stevenson — Volume 2Stevenson, Robert Louis
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The Letters of Robert Louis Stevenson — Volume 2
Stevenson, Robert Louis
Authors, Scottish -- 19th century -- Correspondence; Stevenson, Robert Louis, 1850-1894 -- Correspondence
MY DEAR GOSSE,—I have to thank you and Mrs. Gosse for many mementoes,
chiefly for your _Life_ of your father. There is a very delicate task,
very delicately done. I noted one or two carelessnesses, which I meant
to point out to you for another edition; but I find I lack the time, and
you will remark them for yourself against a new edition. They were two,
or perhaps three, flabbinesses of style which (in your work) amazed me.
Am I right in thinking you were a shade bored over the last chapters? or
was it my own fault that made me think them susceptible of a more
athletic compression? (The flabbinesses were not there, I think, but in
the more admirable part, where they showed the bigger.) Take it all
together, the book struck me as if you had been hurried at the last, but
particularly hurried over the proofs, and could still spend a very
profitable fortnight in earnest revision and (towards the end) heroic
compression. The book, in design, subject, and general execution, is
well worth the extra trouble. And even if I were wrong in thinking it
specially wanted, it will not be lost; for do we not know, in Flaubert’s
dread confession, that ‘prose is never done’? What a medium to work in,
for a man tired, perplexed among different aims and subjects, and spurred
by the immediate need of ‘siller’! However, it’s mine for what it’s
worth; and it’s one of yours, the devil take it; and you know, as well as
Flaubert, and as well as me, that it is _never done_; in other words, it
is a torment of the pit, usually neglected by the bards who (lucky
beggars!) approached the Styx in measure. I speak bitterly at the
moment, having just detected in myself the last fatal symptom, three
blank verses in succession—and I believe, God help me, a hemistich at the
tail of them; hence I have deposed the labourer, come out of hell by my
private trap, and now write to you from my little place in purgatory.
But I prefer hell: would I could always dig in those red coals—or else be
at sea in a schooner, bound for isles unvisited: to be on shore and not
to work is emptiness—suicidal vacancy.
Public-domain text, read in full here on John Shaqi.
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