The Letters of Robert Louis Stevenson — Volume 2Stevenson, Robert Louis
General
The Letters of Robert Louis Stevenson — Volume 2
Stevenson, Robert Louis
Authors, Scottish -- 19th century -- Correspondence; Stevenson, Robert Louis, 1850-1894 -- Correspondence
MY DEAR MEREDITH,—I have again and again taken up the pen to write to
you, and many beginnings have gone into the waste paper basket (I have
one now—for the second time in my life—and feel a big man on the strength
of it). And no doubt it requires some decision to break so long a
silence. My health is vastly restored, and I am now living patriarchally
in this place six hundred feet above the sea on the shoulder of a
mountain of 1500. Behind me, the unbroken bush slopes up to the backbone
of the island (3 to 4000) without a house, with no inhabitants save a few
runaway black boys, wild pigs and cattle, and wild doves and flying
foxes, and many parti-coloured birds, and many black, and many white: a
very eerie, dim, strange place and hard to travel. I am the head of a
household of five whites, and of twelve Samoans, to all of whom I am the
chief and father: my cook comes to me and asks leave to marry—and his
mother, a fine old chief woman, who has never lived here, does the same.
You may be sure I granted the petition. It is a life of great interest,
complicated by the Tower of Babel, that old enemy. And I have all the
time on my hands for literary work. My house is a great place; we have a
hall fifty feet long with a great red-wood stair ascending from it, where
we dine in state—myself usually dressed in a singlet and a pair of
trousers—and attended on by servants in a single garment, a kind of
kilt—also flowers and leaves—and their hair often powdered with lime.
The European who came upon it suddenly would think it was a dream. We
have prayers on Sunday night—I am a perfect pariah in the island not to
have them oftener, but the spirit is unwilling and the flesh proud, and I
cannot go it more. It is strange to see the long line of the brown folk
crouched along the wall with lanterns at intervals before them in the big
shadowy hall, with an oak cabinet at one end of it and a group of Rodin’s
(which native taste regards as _prodigieusement leste_) presiding over
all from the top—and to hear the long rambling Samoan hymn rolling up
(God bless me, what style! But I am off business to-day, and this is not
meant to be literature.).
Public-domain text, read in full here on John Shaqi.
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