Whereupon I make you my salute with the firm remark that it is time to be done with trifling and give us a great book, and my ladies fall into line with me to pay you a most respectful courtesy, and we all join in the cry, ‘Come to Vailima!’ My dear sir, your soul’s health is in it—you will never do the great book, you will never cease to work in L., etc., till you come to Vailima. ROBERT LOUIS STEVENSON. TO R. LE GALLIENNE _Vailima_, _Samoa_, _December_ 28_th_, 1893. DEAR MR. LE GALLIENNE,—I have received some time ago, through our friend Miss Taylor, a book of yours. But that was by no means my first introduction to your name. The same book had stood already on my shelves; I had read articles of yours in the _Academy_; and by a piece of constructive criticism (which I trust was sound) had arrived at the conclusion that you were ‘Log-roller.’ Since then I have seen your beautiful verses to your wife. You are to conceive me, then, as only too ready to make the acquaintance of a man who loved good literature and could make it. I had to thank you, besides, for a triumphant exposure of a paradox of my own: the literary-prostitute disappeared from view at a phrase of yours—‘The essence is not in the pleasure but the sale.’ True: you are right, I was wrong; the author is not the whore, but the libertine; and yet I shall let the passage stand. It is an error, but it illustrated the truth for which I was contending, that literature—painting—all art, are no other than pleasures, which we turn into trades. And more than all this, I had, and I have to thank you for the intimate loyalty you have shown to myself; for the eager welcome you give to what is good—for the courtly tenderness with which you touch on my defects. I begin to grow old; I have given my top note, I fancy;—and I have written too many books. The world begins to be weary of the old booth; and if not weary, familiar with the familiarity that breeds contempt. I do not know that I am sensitive to criticism, if it be hostile; I am sensitive indeed, when it is friendly; and when I read such criticism as yours, I am emboldened to go on and praise God. You are still young, and you may live to do much. The little, artificial popularity of style in England tends, I think, to die out; the British pig returns to his true love, the love of the styleless, of the shapeless, of the slapdash and the disorderly. There is trouble coming, I think; and you may have to hold the fort for us in evil days.