Don’t trouble about any more French books; I am on another scent, you see, just now. Only the _French in Hindustan_ I await with impatience, as that is for _Ballantrae_. The scene of that romance is Scotland—the States—Scotland—India—Scotland—and the States again; so it jumps like a flea. I have enough about the States now, and very much obliged I am; yet if Drake’s _Tragedies of the Wilderness_ is (as I gather) a collection of originals, I should like to purchase it. If it is a picturesque vulgarisation, I do not wish to look it in the face. Purchase, I say; for I think it would be well to have some such collection by me with a view to fresh works.—Yours very sincerely, ROBERT LOUIS STEVENSON. _P.S._—If you think of having the _Master_ illustrated, I suggest that Hole would be very well up to the Scottish, which is the larger part. If you have it done here, tell your artist to look at the hall of Craigievar in Billing’s _Baronial and Ecclesiastical Antiquities_, and he will get a broad hint for the hall at Durrisdeer: it is, I think, the chimney of Craigievar and the roof of Pinkie, and perhaps a little more of Pinkie altogether; but I should have to see the book myself to be sure. Hole would be invaluable for this. I dare say if you had it illustrated, you could let me have one or two for the English edition. R. L. S. TO WILLIAM ARCHER [_Saranac_, _Winter_ 1887–8.] MY DEAR ARCHER,—What am I to say? I have read your friend’s book with singular relish. If he has written any other, I beg you will let me see it; and if he has not, I beg him to lose no time in supplying the deficiency. It is full of promise; but I should like to know his age. There are things in it that are very clever, to which I attach small importance; it is the shape of the age. And there are passages, particularly the rally in presence of the Zulu king, that show genuine and remarkable narrative talent—a talent that few will have the wit to understand, a talent of strength, spirit, capacity, sufficient vision, and sufficient self-sacrifice, which last is the chief point in a narrator.