An army twice beaten, a bankrupt exchequer, a triumphant invader
waiting to dictate terms; this was but the beginning of the inventory
of the royal inheritance. The internal condition of the kingdom, even
apart from the financial ruin which had succeeded to the handsome
surplus of two years before, was full of embarrassments of the gravest
kind. There was a party representing the darkest-dyed clericalism and
reaction whose machinations had not been absent in the disaster of
Novara. Who was it that disseminated among the troops engaged in the
battle broadsides printed with the words: 'Soldiers, for whom do you
think you are fighting? The King is betrayed; at Turin they have
proclaimed the republic'? There were other broadsides in which Austria
was called the supporter of thrones and altars. The dreadful
indiscipline witnessed towards the end of, and after the conflict was
due more to the demoralising doctrines that had been introduced into
the army than to the insubordination of panic. There was another party
strengthened by the recent misfortunes and recruited by exiles from
all parts of Italy, which was democratic to the verge of republicanism
in Piedmont and over that verge at Genoa, where a revolution broke out
before the new King's reign was a week old. Constitutional government
stood between the fires of these two parties, both fanned by Austrian
bellows, the first openly, the second in secret.
Victor Emmanuel was not popular. The indifference to danger which he
had shown conspicuously during the war would have awakened enthusiasm
in most countries, but in Piedmont it was so thoroughly taken for
granted that the Princes of the House of Savoy did not know fear, that
it was looked on as an ordinary fact. The Austrian origin of the
Duchess of Savoy formed a peg on which to hang unfriendly theories. It
is impossible not to compassionate the poor young wife who now found
herself Queen of a people which hated her race, after having lived
since her marriage the most dreary of lives at the dismallest court in
Europe. At first, as a bride, she seemed to have a desire to break
through the frozen etiquette which surrounded her; it is told how she
once begged and prayed her husband to take her for a walk under the
Porticoes of Turin, which she had looked at only from the outside. The
young couple enjoyed their airing, but when it reached Charles
Albert's ears, he ordered his son to be immediately placed under
military arrest. The chilling formalism which invaded even the private
life of these royal personages, shutting the door to 'good
comradeship' even between husband and wife, may have had much to do
with driving Victor Emmanuel from the side of the Princess, whom,
nevertheless, he loved and venerated, to unworthy pleasures, the habit
of indulgence in which is far easier to contract than to cure.
[Illustration: VICTOR IMMANUEL]
Public-domain text, read in full here on John Shaqi.
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