Gaeta, the refuge of the Pope and the fugitive Princes in 1848, now
became the ultimate rock of defence of the Bourbon dynasty. The
position of the fortress is extremely strong and not unlike Gibraltar
in its main features. A headland running out into the sea and rising
to a height of three or four hundred feet, it is divided by a strip of
sand from the shore-line. The principal defences were then composed of
a triple semi-circle of ditches and ramparts one higher than the
other. Had the country been flat the difficulties of the siege would
have been much increased; its hilly character allowed Cialdini to fix
his batteries on heights which commanded the top of the Gaeta hill.
But to profit by this, the Piedmontese were obliged to make fourteen
miles of roads by which to bring up their artillery. For a month,
10,000 out of the 20,000 besiegers were at work with the spade. The
defending force amounted to 11,000 men, and was commanded by General
Ritucci. From the first, it was certain that the obstinate stand made
at Gaeta could only result in what Lord John Russell called a useless
effusion of blood; nevertheless it seems to have been prompted by a
real belief that Francis would still recover his kingdom. The
precedent of his father's return from Gaeta may have strengthened the
King's illusion; every day he received highly-coloured reports of a
gathering reaction, and as the French fleet in the bay prevented
Admiral Persano from attacking from the sea, he believed that the time
which he could hold out was indefinite. This policy of the French
Government need not have greatly cheered him, as its motive was less
to help Francis than to prepare the way, by hampering the Piedmontese,
for a little fishing in troubled waters. Prince Murat, descendant of
the _Beau Sabreur_, was busy writing proclamations to remind the world
that if Francis were impossible and Victor Emmanuel 'wanted finish,'
there was an eligible young man ready to sacrifice the charms of the
Boulevards for the cares of kingship.
Public-domain text, read in full here on John Shaqi.
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