The constant invocation of the revolutionary spectre by the Austrian statesman convinced the King that the wish was father to the thought, and, afraid of introducing the thin end of the wedge, he showed himself more than ever averse to reforming the antiquated machinery of the Sardinian Government. Instead of being the first of Italian princes to yield to popular demands, he was almost the last. He believed that the question of nationality, of independence, could be separated from the question of free institutions. Of all the chimerical ideas then afloat, this was the most chimerical. Even the example of the Pope, for whom Charles Albert felt a romantic devotion, was not enough to induce him to open the road to reforms. The person who seems first to have impressed him with their absolute necessity was Lord Minto, whose visit to Turin, in October 1847, coincided with the dismissal of Count della Margherita, the minister most closely associated with the absolutist and Jesuitical _régime_. Lord Minto was sent to Italy to encourage in the ways of political virtue those Italian princes who were not entirely incorrigible. His mission excited exaggerated hopes on the part of the Liberals, and exaggerated wrath in the retrograde party--both failing to understand its limitations. The hopes died a natural death, but long afterwards, reactionary writers attributed all the 'troubles' in Italy to this estimable British diplomatist. What is not doubtful is, that, accustomed as they were to being lectured and bullied by foreign courts, the Italians derived the greatest encouragement from the openly expressed sympathy of well-known English visitors, whether they came in an official capacity like Lord Minto, or unofficially like Mr Cobden, who travelled as a missionary of Free Trade, and was received with rapture--with which, it is to be feared, Free Trade had little to do--by the leading Liberals in Italy: Massimo d'Azeglio at Genoa, Mancini at Naples Cavour and Scialoja at Turin, Minghetti at Bologna, Ridolfi at Florence, and Manin and Tommaseo at Venice.