World War, 1914-1918 -- United States -- Juvenile fiction; Young women -- Societies and clubs -- Juvenile fiction
It was a swift whirl down the half-mile hill, and then they were passing
through the little mountain village of Franconia, with its white
cottages, its stone sidewalks, its beautiful Gale River, with its
bush-fringed banks and little stone tower, surrounded by level stretches
of green pasture-land, merging into the low foothills that skirted the
higher range. It was a wonderful ride through that five-mile Notch, in
the glint of the rose-tipped sunlight, with the ever-changing flash from
one mountain-picture to another, each one gripping you with the witchery
of the illusive charm of Nature in her varying moods, now frolicsome,
gay, or blithe, or strangely stilled in the grandeur of a sunrise calm.
As the girl came down the steps of the Profile House, her first
stopping-place, she paused a moment and peered up at Eagle Cliff, a
precipitous wall of rock opposite, rising to the height of fifteen
hundred feet above the road. It was thickly set with evergreens,
climbing birches, maples, and spruces, and intermingled with patches of
a softer green, from where purple-tinted bits of rock, like giant’s
eyes, looked down upon the wayfarers that traversed the road beneath.
Nathalie had heard that the cliff had received its name from the “Arabs
of the air,” which at one time had lodged in its airy heights. But
evidently they had long since departed, and after a disappointed glance,
as her eyes swept the tall steeps, she rejoined Janet in the car, and
was soon guiding it through the green-wooded road to her next
halting-place, some few miles beyond.
This was the Flume House, a long, low, yellow building, grouped about
with mountain crags,—the gateway to the Flume, a remarkable fissure in
Liberty Mountain, over fifty feet deep, and several hundred long, where
an ice-cold cascade dashed with snowy spray, to flow in more quiet mood
over ledges of granite rocks between perpendicular walls.
After leaving their flowers at the office the girls started on their
homeward way. The distance was soon traversed as they chattered of the
scene before them, sometimes hushed into stillness by the sudden
surprise of some wonderful trick of Nature as they flew swiftly past.
As they reached the little schoolhouse at the crossroads Janet descended
from the car to walk up the hill to the house, while Nathalie continued
on her way. She had soon passed the artist’s bungalow, with its studio,
on her left, and Hildreth’s maple-sugar farm, with its big barn, coming
out shortly at the little red Episcopal church, with the deserted,
falling-to-pieces hotel, the Marimonte, just beyond on a knoll.
It did not take her long to ascend the long hilly slope to the Hotel
Look-off, where a basket of sweet peas were left, and then she had swung
her car around and was speeding down the declivity to the Sunset Hill
House, where she again brought her car to a halt.
Public-domain text, read in full here on John Shaqi.
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