The Library Magazine of Select Foreign Literature: All volumesVarious
History
The Library Magazine of Select Foreign Literature: All volumes
Various
Periodicals
But Assyria itself had been equally an adapter and intermediary. The
Semites of Assyria and Babylonia had borrowed their culture and
civilization from the older Accadian race, with its agglutinative
language, which had preceded them in the possession of Chaldea. So
slavishly observant were the Assyrians of their Chaldean models that in a
land where limestone was plentiful they continued to build their palaces
and temples of brick, and to ornament them with those columns and
pictorial representations which had been first devised on the alluvial
plains of Babylonia. To understand Assyrian art, and track it back to its
source, we must go to the engraved gems and ruined temples of primaeval
Babylonia. It is true that Egypt may have had some influence on Assyrian
art, at the time when the eighteenth dynasty had pushed its conquests to
the banks of the Tigris; but that influence does not seem to have been
either deep or permanent. Now the art of Assyria is in great measure the
art of Phoenicia, and that again the art of prehistoric Greece. Modern
research has discovered the prototype of Herakles in the hero of a
Chaldean epic composed it may be, four thousand years ago; it has also
discovered the beginnings of Greek columnar architecture and the germs of
Greek art in the works of the builders and engravers of early Chaldea.
When first I saw, five years ago, the famous sculpture which has guarded
the Gate of Lions at Mykenae for so many centuries, I was at once struck by
its Assyrian character. The lions in form and attitude belong to Assyria,
and the pillar against which they rest may be seen in the bas-reliefs
brought from Nineveh. Here, at all events, there was clear proof of
Assyrian influence; the only question was whether that influence had been
carried through the hands of the Phoenicians or had travelled along the
highroad which ran across Asia Minor, the second channel whereby the
culture of Assyria could have been brought to Greece. The existence of a
similar sculpture over a rock-tomb at Kumbet in Phrygia might seem to
favour the latter view.
Public-domain text, read in full here on John Shaqi.
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