The Library Magazine of Select Foreign Literature: All volumesVarious
History
The Library Magazine of Select Foreign Literature: All volumes
Various
Periodicals
The discoveries of Dr. Schliemann have gone far to settle the question.
The pottery excavated at Mykenae is of the Phoenician type, and the clay
of which is composed has probably come from Thera. The terra-cotta figures
of animals and more especially of a goddess with long robe, crowned head,
and crescent-like arms, are spread over the whole area traversed by the
Phoenicians. The image of the goddess in one form or another has been
found in Thera and Melos, in Naxos and Paros, in Ios, in Sikinos, and in
Anaphos, and M. Lenormant has traced it back to Babylonia and to the
Babylonian representation of the goddess Artemis-Nana.[28] At Tanagra the
image has been found under two forms, both, however, made of the same clay
and in the same style as the figures from Mykenae. In one the goddess is
upright, as at Mykenae, with the _polos_ on her head, and the arms either
outspread or folded over the breast; in the other she is sitting with the
arms crossed. Now among the gold ornaments exhumed at Mykenae are some
square pendants of gold which represent the goddess in this sitting
posture.[29]
The animal forms most commonly met with are those of the lion, the stag,
the bull, the cuttle-fish, and the murex. The last two point unmistakably
to a seafaring race, and more especially to those Phoenician sailors
whose pursuit of the purple-trade first brought them into Greek seas. So
far as I know, neither the polypus nor the murex, nor the butterfly which
often accompanies them have been found in Assyria or Egypt, and we may
therefore see in them original designs of Phoenician art. Mr. Newton has
pointed out that the cuttle-fish (like the dolphin) also occurs among the
prehistoric remains from Ialysos in Rhodes, where, too, pottery of the
same shape and material as that of Mykenae has been found, as well as beads
of a curious vitreous substance, and rings in which the back of the chaton
is rounded so as to fit the finger. It is clear that the art of Ialysos
belongs to the same age and school as the art of Mykenae; and as a scarab
of Amenophis III. has been found in one of the Ialysian tombs, it is
possible that the art may be as old as the fifteenth century B.C.
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