The Library of Entertainment: HandbookScammell, John Chilton
General
The Library of Entertainment: Handbook
Scammell, John Chilton
Literature -- Collections
As has elsewhere been pointed out (pages 19, 28, 55, etc., of this
Handbook), the true appreciation and enjoyment of a writer are
unquestionably increased by understanding his personality and his
outlook on the world.
In the second place, the selections present the best and only the
best achievements of each writer. They obviously cannot include
thirty volumes of Scott's novels, for example; nor is it desirable
that the quotations from any author should extend beyond complete
passages of assured distinction. On the other hand, persons attracted
by an author's style or subject matter will naturally desire to
read more of his work and even to acquire several of his most
characteristic books. The Biographical Sketch lists his principal
writings so that you can send for them to bookseller or public
library.
THE LIBRARY OF ENTERTAINMENT will thus form the nucleus of a
collection that can become unique, in that it will not contain an
author that you have not tested before purchase. To own books that
you value and esteem unfailingly leads to reading with increased
pleasure day by day; such reading forms the purpose that lies behind
these volumes.
LITERARY CRITICISM
Criticism is a term that is commonly misused and misunderstood.
It does not mean condemnation and disapproval. It does mean sound
judgment, a careful valuation of the work under discussion, weighing
its merits and its faults; therefore it follows that sincere
criticism may be wholly free from fault-finding, provided the subject
proves to be without blemish. The criticism of Milton's minor poems,
"L'Allegro," "Il Penseroso," and "Lycidas," must be an appreciation
of their beauty and power, since they are practically faultless.
To form a trustworthy opinion regarding a piece of literature is
not difficult; all that is necessary is to make a definite, orderly
inquiry into certain essential facts.
I. The first of these concern the author himself, his surroundings,
and the influences which shaped his thoughts.
1. =The period when he lived.= Each of the great ages of literature
has its special characteristics and tendencies, without a knowledge
of which it is impossible to judge a writer's work. (These periods
are defined on p. 19 ff.) For example, if Dickens had lived in
Shakespeare's time his writings would have been very different in
form and in style; he would have probably written comedies for the
stage instead of novels.
2. =His nation.= Nationality also has strong traits that must be
taken into account. (These are stated on p. 28 ff.) If Dickens had
been a Frenchman, he would have paid more attention to the grace and
clearness of his style; if he had been a German, he would have tended
to be more philosophical in his thought, his plots would have been
deeper, and his characters less vivid.
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