The Library of Entertainment: HandbookScammell, John Chilton
General
The Library of Entertainment: Handbook
Scammell, John Chilton
Literature -- Collections
Helen, the wife of Menelaus, whose beauty was acclaimed as divine,
accordingly was abducted by Paris. Menelaus and his brother, both
powerful kings in Greece, collected an army with the aid of several
other Greek princes and set sail at once for Troy, which they
besieged in vain for nine years and finally captured by the stratagem
of the Trojan horse. This was a huge wooden figure of a horse, in
which certain of the Greek leaders lay hid while the rest sailed
away, apparently giving up the siege and leaving the horse as an
offering to the gods. The Trojans, rejoicing, dragged the monster
within their walls, broken down to admit it, and at nightfall the
concealed Greeks came out and opened the gates to the rest of their
army, which had landed again under cover of darkness.
Helen's life was spared, as she seems to have been regarded as a
being of another world, guiltless of wrong intent, driven by fate
into these misfortunes. The tragedies that befell upon the return
of Agamemnon and his brother Menelaus form the subject of the great
dramas of Æschylus, Euripides, and Sophocles.
The "Iliad" narrates events in the course of the siege, in which
Achilles is the Greek hero, angered by Agamemnon and refusing to
lead the troops to battle, until roused by the death of his friend
Patroclus he rushes to the fray and slays Hector, the Trojan prince
and leader, with whose funeral rites the poem closes.
The fall of Troy is not treated by Homer; in fact it did not receive
the consideration due its dramatic possibilities until a thousand
years later, when Vergil, the Roman poet, described it in his
"Æneid." This may be explained by the fact that the Greeks desired
to hear the tale of their heroism and their leader's triumph rather
than the sorrows of the enemy, while the Roman emperor Augustus, at
whose request Vergil composed the "Æneid," wished to glorify Rome by
tracing her origin back to the son of the Trojan prince, Æneas, who
fled to Italy after Troy's downfall.
The "Odyssey" recounts the wanderings of the Greek prince, Odysseus,
detained by various casualties on his way home round the south of
Greece to Ithaca, his island home in the Adriatic, and also deals
with his vengeance on the suitors whom he found endeavoring to win
the hand of his faithful wife Penelope.
The "Iliad," as a piece of literature, seems to belong to a somewhat
earlier day than the "Odyssey." The latter is more unified in
construction, and shows greater knowledge of travel and a higher
religious and social standard.
The selections of the former are from the two great metrical
translations of Pope and of Chapman. Pope's work (1715) is in
the full flower of the Age of Classicism, and is thoroughly
characteristic of that period. Chapman's (1611), less polished,
belongs to the late Renaissance, whose rugged, adventurous spirit was
far nearer that of the Homeric age and is preferred by many on this
account.
Public-domain text, read in full here on John Shaqi.
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