The Library of Work and Play: Outdoor WorkMiller, Mary Rogers
Philosophy
The Library of Work and Play: Outdoor Work
Miller, Mary Rogers
Agriculture -- Juvenile literature
The blue prints of leaves and of flowers do not show anything but the
outlines, of course. Leaf prints of other kinds are made which bring
out the veining as well. The outfit for this work is simple. Two print
rollers, a pane of glass, and a tube of printers' ink, sheets of paper
to print upon, and leaves. Put a small quantity of the ink on the clean
glass, and work it into a thin film over the surface. Lay a leaf upon
this film of ink and go over it with the inky roller. Transfer the
leaf to a sheet of paper and cover with a second sheet. One whirl of
the clean roller ought to give you the desired print. It is surprising
how delicate and true these are and how perfectly they show the
characteristic margin, indentations, venation, and even something of
the texture of each leaf. A little practice makes one able to make
impressions which are like leaf shadows, so delicate and lace-like can
these prints be made. It is an excellent way of fixing the leaf forms
in the memory, as well as in the note-book.
In making a collection of plants the same "rules of the game" should
hold good as in collecting insects and other natural objects. Take only
what you need. Do not uproot and leave to die the near neighbours of
the specimens you select. The taking of rare specimens is discouraged.
I shall never forget the look of indignation our dear old professor
gave an ambitious youth who had uprooted for his paltry collection
every plant of a species of rare fern which the professor had been
trying for years to re-establish in its old location. After all is said
and done, a live plant is better than a dead one. This is all a part
of the great spirit of conservation that has so taken possession of
our people of late years. Out of these little acts of preserving our
resources will grow a more beautiful America and a better appreciation
of all things beautiful.
COLLECTING SEA-WEEDS
Every child ought to be familiar with that musical poem of Percival's
beginning:
"Deep in the sea is a coral grove,
Where the purple mullet and goldfish rove."
And then when the child grows bigger he should have an opportunity to
go out in a glass-bottomed boat, at Santa Catalina Island or elsewhere,
and see for himself that those "yellow and scarlet tufts of ocean,"
"bending like corn on the upland lea," are not pictures from a poet's
dream, but beautiful realities.
Public-domain text, read in full here on John Shaqi.
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