The Library of Work and Play: Outdoor WorkMiller, Mary Rogers
Philosophy
The Library of Work and Play: Outdoor Work
Miller, Mary Rogers
Agriculture -- Juvenile literature
Coarse, thick algæ should not be pressed in the same pile with the fine
ones as they would make the pressure uneven. Blotters and cloths must
be changed every day at first, dried in the sun to be ready for the
next day. After two or three days the cloths may be taken off, and the
plants left in press at least a week longer, changing driers every day.
If you can set aside a regular time each day for this job, it is not so
likely to be forgotten. Moulding specimens are very disappointing.
After one has made a little collection of sea-weeds all the stories
about the wonders of the deep will take on a reality. You will want to
read all you can find about the Sargasso Sea, which sounds like a fairy
story. Maybe you have a specimen of this sea-weed in your collection,
maybe you have been fortunate enough to sail through that "vast acreage
of vegetation as large as the continent of Europe, lying southwest of
the Azores!" Do you wonder that the first navigators, sailing uncharted
seas, were alarmed by this vast expanse and thought of course there
were concealed shallows beneath the feathery fronds of this gulf weed?
You must read, too, of some of the giants of the sea-weed tribe; the
"devil's apron," the "sea-otter's cabbage," with its air-vessel as big
as a hogshead, and its stalk a slender cord hundreds of feet in length.
These are all algæ, and so are the microscopic plants which produce
that wonderful phosphorescence on the surface of the ocean. There
are still unsolved mysteries about these plants and there is always
a chance that the boys and girls who collect sea-weeds to-day on the
beach may in the years to come read some of the secrets now hidden from
all eyes. It is well worth while to keep such a big thought in mind
even while doing the simple and easy work of mounting specimens.
COLLECTING SHELLS
Of all the kinds of collections of natural objects that I have seen,
there is none that has quite so much beauty, in itself, as a collection
of shells. How easily they can be displayed in a cabinet for our
friends to enjoy, too, and they are never attacked, so far as I know,
by what we call museum pests, those destructive little creatures which
make life a burden to the owners of collections of insects, plants,
stuffed birds, and the like. Perhaps the products of the sea possess an
especial charm to the "landlubber," but most people admire shells and
love to handle them and to wonder where they came from and what kind of
creatures built them.
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