I have already told you that Don Rodrigo had discovered in Ambrosio a
man whom he thought likely to promote his interest with Daraxa, who had
hitherto only treated his professions of love with indifference. The
coldness of his constitution, however, was such, that this did not by
any means discourage him; not susceptible of violent love, the little
progress that he made in Daraxa’s favour caused him no trouble. The
advantage he possessed over his rivals, in seeing and conversing with
the beautiful Moor, was a pleasure that consoled him, though he knew he
was not the favoured lover. As he had not as yet acknowledged his
sentiments to Daraxa, otherwise than by any little attentions he had
paid her, and perceiving that she took pleasure in speaking the Moorish
language with Ambrosio, he determined to prevail upon this gardener to
declare his passion for her in that language; and Ambrosio accepted the
commission, promising his young master to perform it with all imaginable
zeal the first opportunity that should present itself, which occurred
the very same day.
The ladies, after having taken several turns about the garden, entered
the arbour in which they usually rested themselves. Ambrosio came up to
them with a basket of flowers; and Don Rodrigo desired him to make up
some nosegays, and at the same time made sign to Elvira to follow him,
as though he had something particular to communicate to her. The brother
and sister having left the arbour, Ozmin, finding himself alone with his
mistress, was beginning to speak to her in a tone of pleasantry in
favour of Don Rodrigo’s passion; but he perceived her melancholy
appearance and desisted. “Whence this sorrow, Madam?” said he, with a
countenance that betrayed his concern. “How happens it, that when I am
about to divert you by the performance of a part but little dissimilar
to that which you enacted towards me last night, I find you thus
evidently affected with grief?” A sigh from Daraxa was the only answer.
This redoubled Ozmin’s surprise and anxiety. “Speak,” cried he, “speak
to me, Daraxa, if you wish not to drive me to despair. What can your
silence and that sigh portend? They seem to announce more misfortunes
than I have as yet had any reason to fear.” The beautiful Moor at length
replied, that the peculiarity of their fortunes, and the daily crosses
they both met with, occasioned a sadness which she could not shake off.
Public-domain text, read in full here on John Shaqi.
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