The life and correspondence of Sir Anthony Panizzi, K.C.B., Vol. 1 (of 2): Late principal librarian of the British museum, senator of Italy, etc.Fagan, Louis
History
The life and correspondence of Sir Anthony Panizzi, K.C.B., Vol. 1 (of 2): Late principal librarian of the British museum, senator of Italy, etc.
Fagan, Louis
Panizzi, Anthony, Sir, 1797-1879
When, long subsequently, Mr. Panizzi showed me his sketch for a plan
of a New Reading-Room, I confess it did not remind me of yours, the
purposes of the two plans and the treatment and construction
altogether were so different.
The idea of building over the quadrangle is of very early date, it was
certainly mooted in the Museum fifteen years ago.
Yours, &c., &c.,
SYDNEY SMIRKE.
It may as well be mentioned in this place, that as Panizzi in his letter
already quoted, disclaims originality in choosing the position of his
New Room, so Mr. Hosking, in a subsequent letter, dated 4th of May,
1857, to Mr. Smirke, admits that “It is quite 15 years since Mr. Hawkins
proposed to build corridors across it (the quadrangle) to facilitate
intercommunication.” Neither of the opposing parties, however, takes
note of the fact that, as early as 1836-7, Mr. Thomas Watts, the late
Keeper of the Department of Printed Books in the British Museum, had
actually suggested the construction of a Reading-Room in the very spot
of Panizzi’s selection.
He had written in the _Mechanics Magazine_ for March 11th, 1837,
commenting upon the waste of space occasioned by the empty quadrangle,
“A Reading-Room, of ample dimensions, might have stood in the centre,
and been surrounded on all four sides by galleries for the books,
communicating with each other and lighted from the top.” A little
further on, however, he half retracts his own suggestion, remarking, “So
much has been expended on the great quadrangle, that it might seem
barbarous to propose filling up the square, as ought to have been
originally done.” The grand conception of the cupola, by which
architectural effect was to be taken away only to be restored with
interest, had not dawned upon him; and, in fact, the reverence expressed
by so many for the architecture of the inner court would have been more
intelligible, if the court had been more accessible.
As regards originality, therefore, in this portion of the respective
designs there can be no possible ground of discussion.
Still Mr. Hosking could not be convinced that, in other points, his
design was not feloniously used and himself consequently wronged by
Panizzi, and so published a long pamphlet dwelling, amongst other
things, on the alleged fact that the latter must have seen the copy of
the _Builder_ which he sent to him in May, 1852.
To this allegation Panizzi gave a categorical denial; but a short
statement, dated May 18th, 1858, in answer to the longer pamphlet, will
show sufficiently for our present purpose the line of attack adopted by
his opponent, and his own method of defence.
_Remarks on Mr. Hosking’s Claims to the Design of the British Museum
New Building._
Public-domain text, read in full here on John Shaqi.
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