Shortly after he left his post a subscription was set on foot throughout the Museum to present him with a fitting testimonial; this ultimately took the form of a portrait painted by Mr. George Frederick Watts, R.A. It is now hung in, and forms one of the chief ornaments of the Trustees’ Committee-Room. As a likeness it is perfect, by far the most successful example of the kind; as a picture it is one of the finest works of the painter, the modern Tintoretto. Produced in a low and yet powerful key of colour, the whole work exhibits a potent combination of ruddy-brown carnations, with black broken into deep greys—tints which are admirably harmonized with each other, and so happily toned as to produce just and broad chiaro-oscuro. The figure is life-size, three-quarters length, seated in three-quarters view to our right, and easily, as well as sedately, posed in a large chair; the head is slightly bent forward, and the eyes, although directed _towards_ the spectator, are not directed _at_ him; they have an expression of habitual thoughtfulness which is very striking when its influence is felt by the observer, and this is not the less effective because it is undemonstrative. Owing to the position of the eyes themselves, no reflections of the light appear on their surfaces, which by no means common circumstance adds to the gravity, and even to the dignity of the picture, and is perfectly faithful to nature. It increases the repose of the work, and excludes that which is often a disturbing element in designs of equal simplicity and breadth of motive. The steadfast expression of the features, and the restful attitudes of the body and hands, are valuable elements of this very important and impressive master-piece of painting. We have given an exact and faithful account of the causes which led to Panizzi’s resignation of the office which he had held with honour for so many years, of the manner in which it was carried out, and of the testimonials which it evoked. We have now merely to mention that in the House of Lords a scene was enacted similar to that which took place in the House of Commons on the 21st of April, 1856. Whoever is anxious and willing to enter more fully into that controversy, unpleasant as it was, need only examine Hansard’s Parliamentary Debates, House of Lords, Monday, February the 12th, 1866. Let us give Panizzi’s own words to prove whether or not he was pleased and satisfied with the treatment he received at the hands of the Trustees. He thus wrote to Mrs. Haywood, on the 15th of July, 1866:—