The Life and Genius of Nathaniel HawthorneStearns, Frank Preston
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The Life and Genius of Nathaniel Hawthorne
Stearns, Frank Preston
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
“In a year’s time, with the advantage of access to this magnificent
gallery, I think I might come to have some little knowledge of pictures.
At present I still know nothing; but am glad to find myself capable,
at least, of loving one picture better than another. I am sensible,
however, that a process is going on, and has been ever since I came to
Italy, that puts me in a state to see pictures with less toil, and more
pleasure, and makes me more fastidious, yet more sensible of beauty
where I saw none before.”
Hawthorne belongs to the same class of amateur critics as Shelley and
Goethe, who, even if their opinions cannot always be accepted as final,
illuminate the subject with the radiance of genius and have an equal
value with the most experienced connoisseurs.
* * * * *
The return of the Hawthornes to Rome through Tuscany was even more
interesting than their journey to Florence in the spring, and they
enjoyed the inestimable advantage of a _vetturino_ who would seem to
have been the Sir Philip Sidney of his profession, a compendium of human
excellences. There are such men, though rarely met with, and we may
trust Hawthorne’s word that Constantino Bacci was one of them; not only
a skilful driver, but a generous provider, honest, courteous, kindly,
and agreeable. They went first to Siena, where they were entertained for
a week or more by the versatile Mr. Story, and where Hawthorne wrote an
eloquent description of the cathedral; then over the mountain pass where
Radicofani nestles among the iron-browed crags above the clouds; past
the malarious Lake of Bolsena, scene of the miracle which Raphael has
commemorated in the Vatican; through Viterbo and _Sette Vene_; and
finally, on October 16, into Rome, through the Porta’ del Popolo,
designed by Michel Angelo in his massive style,--Donati’s comet flaming
before them every night. Thompson, the portrait painter, had already
secured a furnished house, No. 68 Piazza Poli, for the Hawthornes, to
which they went immediately.
Since the death of Julius Cæsar, comets have always been looked upon as
the forerunners of pestilence and war, but wars are sometimes blessings,
and Donati’s discovery proved a harbinger of good to Italy,--but to the
Hawthornes, a prediction of evil. Continually in Hawthorne’s Italian
journal we meet with references to the Roman malaria, as if it were a
subject that occupied his thoughts, and nowhere is this more common than
during the return-journey from Florence. Did it occur to him that the
lightning might strike in his own house? No sensible American now would
take his children to Rome unless for a very brief visit; and yet William
Story brought up his family there with excellent success, so far as
health was concerned.
Public-domain text, read in full here on John Shaqi.
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