The Life and Legends of Saint Francis of AssisiChalippe, Candide
Religion
The Life and Legends of Saint Francis of Assisi
Chalippe, Candide
Francis, of Assisi, Saint, 1182-1226; Miracles -- Early works to 1800
Such was the sort of torment which God reserved for him in order to
satisfy the extreme desire he had to suffer martyrdom, on which St.
Bonaventure exclaims: "O truly fortunate man, whose flesh not having
been tortured by the racks of a tyrant, has nevertheless, borne the
impress of the Lamb that was slain! O fortunate soul, thou hast not
lost the palm of martyrdom, and yet thou art not separated from the
body by the sword of the persecutor!" Must we not also admit that the
impression of the five wounds of our Savior Jesus Christ on his body
was a true martyrdom--a precious martyrdom; rigorous in one sense, and
the more so, as it was not the consequence of the cruelty of
executioners, but was owing to the darts of divine love, and to the
very influence of the Son of God, the operation of which is most
powerful; sweet and delicious in another sense, and the more so, as
it was the effect of a most affectionate communication, and brought
about more intimate relations? Out Savior, thus, in some degree,
represented in His creature the situation in which He had been on the
cross, enjoying sovereign beatitude, while He suffered all the pains
and violence of the execution.
It was in all probability after this favor of the stigmata, that Francis
composed the two Italian canticles which are found amongst his works.
In the first, the burden of which is, "In foco l'amor mi mise, in foco
l'amor mi mise," he describes very practically, with figurative and
very lively expressions, the struggle he had with divine love, and the
attacks he had himself made on that love, the wounds which he received,
the flames by which his heart was kindled, and the state of languor
and faintness to which he found himself reduced, and, finally, the
strength, with a tranquillity of feeling exceedingly refreshing, which
Jesus Christ had imparted to him. In the second, which is much longer
than the first, he describes the strength, elevation, and tenderness,
the vehemence of the divine love in his heart; he enters into
conversation with Jesus Christ, who answers him; and this love
constantly increasing, he declares that he can resist no longer, that
he consents to everything, and that he wishes no other relief than to
die of love.
Public-domain text, read in full here on John Shaqi.
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