The Primate [Footnote: William Stuart, Archbishop of Armagh, fifth son of the third Earl of Bute.] was very agreeable during the two days he spent here. My father travelled with him from Dublin to Ardbraccan, and this reputed silent man never ceased talking and telling entertaining anecdotes till the carriage stopped at the steps at Ardbraccan. This I could hardly credit till I myself heard his Grace burst forth in conversation. The truth of his character gives such value to everything he says, even to his humorous stories. He has two things in his character which I think seldom meet--a strong taste for humour, and strong feelings of indignation. In his eye you may often see alternately the secret laughing expression of humour, and the sudden open flash of indignation. He is a man of the warmest feelings, with the coldest exterior I ever saw--a master mind. I could not but be charmed with him, because I saw that he thoroughly appreciated my father. * * * * * _Tales of Fashionable Life_ were published in June 1809, and greatly added to the celebrity of their authoress. "Almeria" is the best, and full of admirable pictures of character. In all, the object is to depict the vapid and useless existence of those who live only for society. Sometimes the moralising becomes tiresome. "Vraiment Miss Edgeworth est digne de l'enthousiasme, mais elle se perd dans votre triste utilité," said Madame de Staël to M. Dumont when she had read the Tales. In that age of romantic fiction an attempt to depict life as it really was took the reading world by surprise. "As a writer of tales and novels," wrote Lord Dudley in the _Quarterly Review_, "Miss Edgeworth has a very marked peculiarity. It is that of venturing to dispense common sense to her readers, and to bring them within the precincts of real life and natural feeling. She presents them with no incredible adventures or inconceivable sentiments, no hyperbolical representations of uncommon characters, or monstrous exhibitions of exaggerated passion. Without excluding love from her pages, she knows how to assign to it its just limits. She neither degrades the sentiment from its true dignity, nor lifts it to a burlesque elevation. It takes its proper place among the passions. Her heroes and heroines, if such they may be called, are never miraculously good, nor detestably wicked. They are such men and women as we see and converse with every day of our lives, with the same proportional mixture in them of what is right and what is wrong, of what is great and what is little."