The Life and Letters of Maria Edgeworth, Volume 1Edgeworth, Maria
General
The Life and Letters of Maria Edgeworth, Volume 1
Edgeworth, Maria
Edgeworth, Maria, 1768-1849; Novelists, Irish -- 19th century -- Biography
It was "Madame de Roquefeuille," with her bright, benevolent eyes: and
much agreeable conversation. There is a great deal of difference between
the manners, tone, pronunciation, and quietness of demeanour of Madame
de Pastoret, Madame de Roquefeuille, and the little old Princess de
Broglie Revel, who are of the old nobility, and the striving, struggling
of the new, with all their riches and titles, who can never attain this
indescribable, incommunicable charm. But to go on with Saturday: Madame
de Roquefeuille took leave, and we caparisoned ourselves, and went to
Lady de Ros. She was at her easel, copying very well a portrait of
Madame de Grignan, and it was a very agreeable half-hour. Lady de Ros
and her daughter are very agreeable people. She has asked Fanny to meet
her three times a week, at the Riding-House, where she goes to take
exercise.
We were engaged to Cuvier's in the evening, and went first to M.
Jullien's, in the Rue de _l'Enfer_, not far from the Jardin des Plantes,
and there we saw one of the most extraordinary of all the extraordinary
persons we have seen--a Spaniard, squat, black-haired, black-browed,
and black-eyed, with an infernal countenance, who has written the
_History of the Inquisition_, and who related to us how he had been sent
_en pénitence_ to a monastery by the Inquisition, and escaped by
presenting a certain number of kilogrammes of good chocolate to the
monks, who represented him as very penitent. But I dare not say more of
this man, lest we should never get to Cuvier's, which, in truth, I
thought we never should accomplish alive. Such streets! such turns! in
the old, old parts of the city: lamps strung at great distances: a
candle or two from high houses, making darkness visible: then bawling of
coach or cart-men, "Ouais! ouais!" backing and scolding, for no two
carriages could by any possibility pass in these narrow alleys. I was in
a very bad way, as you may guess, but I let down the glasses, and sat as
still as a frightened mouse: once I diverted Harriet by crying out, "Ah,
mon _cher_ cocher, arrêtez;" like Madame de Barri's "Un moment,
_Monsieur_ le Bourreau." It never was so bad with us that we could not
laugh. At last we turned into a _porte-cochère_, under which the
coachman bent literally double: total darkness: then suddenly trees,
lamps, and buildings; and one, brighter than the rest by an open portal,
illuminating large printed letters, "Collège de France."
Public-domain text, read in full here on John Shaqi.
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