The Life and Letters of Ogier Ghiselin de Busbecq, Vol. 1 (of 2)Busbecq, Ogier Ghislain de
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The Life and Letters of Ogier Ghiselin de Busbecq, Vol. 1 (of 2)
Busbecq, Ogier Ghislain de
Busbecq, Ogier Ghislain de, 1522-1592
Not only is the menagerie a great resource for my people by keeping
them from fretting, but I also derive advantage from it myself, as I am
able to verify the wonderful stories I have read in various authors of
the great affection beasts are capable of entertaining towards human
beings. I never ventured to accept these statements for facts, until I
saw an Assyrian lynx so attach himself to one of my people after only
a few days’ acquaintance, that one could only explain it by the theory
that he had fallen in love with him. When he was present the lynx would
give him many caresses that plainly showed his affection, hugging and
all but kissing him. When he wished to go, the animal would try to
detain him by placing its claws gently on the hem of his garment, and
would cast wistful looks after him as he went away. During his absence
the lynx was in a state of the deepest melancholy, constantly gazing
at the door till the man returned; on which the creature, strange to
say, recovered his spirits and welcomed his friend. When I took the man
away with me to the Turkish camp across the water, the poor beast was
inconsolable, refused its food, and after a few days pined away. I was
much annoyed at this, for I had intended to make him, with a very tame
ichneumon I had, a present to the Emperor, on account of the remarkable
beauty of his coat; it was indeed so handsome, that if a common lynx
were set by his side you would hardly think that they both belonged
to the same species. It is in Assyria that the handsomest lynxes are
found, and their skins are worth fifteen or sixteen golden crowns. I
have no doubt that they are the same as the Babylonian skins considered
so valuable in former days, which are mentioned in the Digest in the
chapter on Farmers of the Revenue.[165]
Public-domain text, read in full here on John Shaqi.
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